{"title":"Painting","description":null,"products":[{"product_id":"bleeding-edge","title":"Bleeding Edge","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-sheets-root=\"1\"\u003eLibby Rosen was formed through the shared interests and parallel practices of its two collaborators, Anne Libby and Anna Rosen, who met in New York City and later relocated to Los Angeles. After establishing studios in the same building, their proximity fostered ongoing dialogue that led to a shared mutual admiration. Rosen’s practice centers on marbling, in which acrylic pigment is suspended on the top of a pool of water, and then the paper or fabric is dragged across. This process creates endlessly interesting biomorphic forms. Libby explores the representation of reflections through polished metal and quilted works, which abstracts glass facades into liquified surfaces. United by their many overlapping interests and artistic preoccupations, their series exemplifies their evolving notions of abstraction, transformation, and perspective.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eYear: 2024\u003c\/p\u003e\n\u003cp\u003eMaterial: \u003cmeta charset=\"utf-8\"\u003eAcrylic on quilted fabric\u003c\/p\u003e\n\u003cp\u003eDimensions: \u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eW 33 x D 1 x H 36 in\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Jacqueline Sullivan Gallery","offers":[{"title":"Default Title","offer_id":49873126129910,"sku":"JSG-LR001","price":0.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0665\/9735\/5766\/files\/JSG-LR001_01.jpg?v=1769899706"},{"product_id":"jellies","title":"Jellies","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-sheets-root=\"1\"\u003eLibby Rosen was formed through the shared interests and parallel practices of its two collaborators, Anne Libby and Anna Rosen, who met in New York City and later relocated to Los Angeles. After establishing studios in the same building, their proximity fostered ongoing dialogue that led to a shared mutual admiration. Rosen’s practice centers on marbling, in which acrylic pigment is suspended on the top of a pool of water, and then the paper or fabric is dragged across. This process creates endlessly interesting biomorphic forms. Libby explores the representation of reflections through polished metal and quilted works, which abstracts glass facades into liquified surfaces. United by their many overlapping interests and artistic preoccupations, their series exemplifies their evolving notions of abstraction, transformation, and perspective.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eYear: 2024\u003c\/p\u003e\n\u003cp\u003eMaterial: \u003cmeta charset=\"utf-8\"\u003eAcrylic on quilted fabric\u003c\/p\u003e\n\u003cp\u003eDimensions: \u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eW 31 x D 1 x H 25 in\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Jacqueline Sullivan Gallery","offers":[{"title":"Default Title","offer_id":49873126228214,"sku":"JSG-LR002","price":0.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0665\/9735\/5766\/files\/JSG-LR002_01.jpg?v=1769899790"},{"product_id":"bubbles-up","title":"Bubbles Up","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-sheets-root=\"1\"\u003eLibby Rosen was formed through the shared interests and parallel practices of its two collaborators, Anne Libby and Anna Rosen, who met in New York City and later relocated to Los Angeles. After establishing studios in the same building, their proximity fostered ongoing dialogue that led to a shared mutual admiration. Rosen’s practice centers on marbling, in which acrylic pigment is suspended on the top of a pool of water, and then the paper or fabric is dragged across. This process creates endlessly interesting biomorphic forms. Libby explores the representation of reflections through polished metal and quilted works, which abstracts glass facades into liquified surfaces. United by their many overlapping interests and artistic preoccupations, their series exemplifies their evolving notions of abstraction, transformation, and perspective.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eYear: 2024\u003c\/p\u003e\n\u003cp\u003eMaterial: \u003cmeta charset=\"utf-8\"\u003eAcrylic on quilted fabric\u003c\/p\u003e\n\u003cp\u003eDimensions: \u003cspan\u003eW 23 x H 1 x H 21 in\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Jacqueline Sullivan Gallery","offers":[{"title":"Default Title","offer_id":49873126424822,"sku":"JSG-LR003","price":0.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0665\/9735\/5766\/files\/JSG-LR003_01_771a0005-f52f-407f-8e92-5ce1cdad55d7.jpg?v=1770046231"},{"product_id":"life-in-pink","title":"Life in Pink","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-sheets-root=\"1\"\u003eLibby Rosen was formed through the shared interests and parallel practices of its two collaborators, Anne Libby and Anna Rosen, who met in New York City and later relocated to Los Angeles. After establishing studios in the same building, their proximity fostered ongoing dialogue that led to a shared mutual admiration. Rosen’s practice centers on marbling, in which acrylic pigment is suspended on the top of a pool of water, and then the paper or fabric is dragged across. This process creates endlessly interesting biomorphic forms. Libby explores the representation of reflections through polished metal and quilted works, which abstracts glass facades into liquified surfaces. United by their many overlapping interests and artistic preoccupations, their series exemplifies their evolving notions of abstraction, transformation, and perspective.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eYear: 2024\u003c\/p\u003e\n\u003cp\u003eMaterial: \u003cmeta charset=\"utf-8\"\u003eAcrylic on quilted fabric\u003c\/p\u003e\n\u003cp\u003eDimensions: \u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eW 50 x D 1 x H 45 in\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Jacqueline Sullivan Gallery","offers":[{"title":"Default Title","offer_id":49873172693238,"sku":"JSG-LR004","price":0.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0665\/9735\/5766\/files\/JSG-LR004_01.jpg?v=1769899866"},{"product_id":"lost-track","title":"Lost Track","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-sheets-root=\"1\"\u003eLibby Rosen was formed through the shared interests and parallel practices of its two collaborators, Anne Libby and Anna Rosen, who met in New York City and later relocated to Los Angeles. After establishing studios in the same building, their proximity fostered ongoing dialogue that led to a shared mutual admiration. Rosen’s practice centers on marbling, in which acrylic pigment is suspended on the top of a pool of water, and then the paper or fabric is dragged across. This process creates endlessly interesting biomorphic forms. Libby explores the representation of reflections through polished metal and quilted works, which abstracts glass facades into liquified surfaces. United by their many overlapping interests and artistic preoccupations, their series exemplifies their evolving notions of abstraction, transformation, and perspective.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eYear: 2024\u003c\/p\u003e\n\u003cp\u003eMaterial: \u003cmeta charset=\"utf-8\"\u003eAcrylic on quilted fabric\u003c\/p\u003e\n\u003cp\u003eDimensions: \u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eW 47 x D 1 x H 38 in\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Jacqueline Sullivan Gallery","offers":[{"title":"Default Title","offer_id":49873173184758,"sku":"JSG-LR005","price":0.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0665\/9735\/5766\/files\/JSG-LR005_01.jpg?v=1769899929"},{"product_id":"lost-track-ii","title":"Lost Track II","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-sheets-root=\"1\"\u003eLibby Rosen was formed through the shared interests and parallel practices of its two collaborators, Anne Libby and Anna Rosen, who met in New York City and later relocated to Los Angeles. After establishing studios in the same building, their proximity fostered ongoing dialogue that led to a shared mutual admiration. Rosen’s practice centers on marbling, in which acrylic pigment is suspended on the top of a pool of water, and then the paper or fabric is dragged across. This process creates endlessly interesting biomorphic forms. Libby explores the representation of reflections through polished metal and quilted works, which abstracts glass facades into liquified surfaces. United by their many overlapping interests and artistic preoccupations, their series exemplifies their evolving notions of abstraction, transformation, and perspective.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eYear: 2024\u003c\/p\u003e\n\u003cp\u003eMaterial: \u003cmeta charset=\"utf-8\"\u003eAcrylic on quilted fabric\u003c\/p\u003e\n\u003cp\u003eDimensions: \u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eW 21 x D 1 x H 26 in\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Jacqueline Sullivan Gallery","offers":[{"title":"Default Title","offer_id":49873174954230,"sku":"JSG-LR006","price":0.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0665\/9735\/5766\/files\/JSG-LR006_01.jpg?v=1769899975"},{"product_id":"cabernet","title":"Cabernet","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-sheets-root=\"1\"\u003eLibby Rosen was formed through the shared interests and parallel practices of its two collaborators, Anne Libby and Anna Rosen, who met in New York City and later relocated to Los Angeles. After establishing studios in the same building, their proximity fostered ongoing dialogue that led to a shared mutual admiration. Rosen’s practice centers on marbling, in which acrylic pigment is suspended on the top of a pool of water, and then the paper or fabric is dragged across. This process creates endlessly interesting biomorphic forms. Libby explores the representation of reflections through polished metal and quilted works, which abstracts glass facades into liquified surfaces. United by their many overlapping interests and artistic preoccupations, their series exemplifies their evolving notions of abstraction, transformation, and perspective.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eYear: 2024\u003c\/p\u003e\n\u003cp\u003eMaterial: \u003cmeta charset=\"utf-8\"\u003eAcrylic on quilted fabric\u003c\/p\u003e\n\u003cp\u003eDimensions: \u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eW 21 x D 1 x H 13 in\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Jacqueline Sullivan Gallery","offers":[{"title":"Default Title","offer_id":49873176166646,"sku":"JSG-LR007","price":0.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0665\/9735\/5766\/files\/JSG-LR007_01.jpg?v=1769900017"},{"product_id":"the-hollow-2","title":"The Hollow 2","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eThe Hollow 2 \u003c\/em\u003ewas inspired by Nicole Wittenberg’s time in coastal Maine. The small oil painting contains the energetic brushwork and vivid palette that typifies her canvases. Wittenberg’s practice is built on the conviction that\u003cem\u003e immediate sensation\u003c\/em\u003e is painting's real subject. Working first in pastel \u003cem\u003een plein air\u003c\/em\u003e, Wittenberg has developed a way of moving from the drawing to the painting without losing the momentum of the present. In this sense, the paintings are not observational, but rather the product of allowing an image, space, and encounter to endure. Wittenberg describes this as “the way things look when my eyes are closed.”\u003c\/p\u003e\n\u003cp\u003eYear: 2026\u003c\/p\u003e\n\u003cp\u003eMaterial: Oil on canvas\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eDimensions: \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eW 24 x D 2 x H 18 in\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Jacqueline Sullivan Gallery","offers":[{"title":"Default Title","offer_id":51443597115638,"sku":"JSG-NWI001","price":0.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0665\/9735\/5766\/files\/JSG-NWI001_02_a76462a7-bfb2-4f98-82e2-3fe8969f9932.jpg?v=1788975407"},{"product_id":"chicken-foot","title":"Chicken Foot","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003eWhen constructing one of her signature abstract compositions, Anne Wehrley Björk begins with what she calls \"the bones\"; dark, nearly black calligraphic forms that establish the underlying architecture of her paintings. She describes the subsequent gestures, marks, and passages of color as being \"hung\" upon this skeletal framework. In her new works, \u003cem\u003eChicken Foot \u003c\/em\u003eand \u003cem\u003eDancing Bones\u003c\/em\u003e, Björk playfully traverses the boundary between biomorphism and pure abstraction. Inspired by Joan Mitchell, she activates the negative space of the canvas, transforming it into a dynamic field of gesture, color, and movement, where absence becomes as expressive as form.\u003c\/p\u003e\n\u003cp\u003eYear: 2026 \u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eMaterial: \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eAcrylic on canvas\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eDimensions: W 72 x D 1 \u003cmeta charset=\"utf-8\"\u003e½ x H 50 in \u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Jacqueline Sullivan Gallery","offers":[{"title":"Default Title","offer_id":51443607175414,"sku":"JSG-AWB001","price":0.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0665\/9735\/5766\/files\/JSG-AWB001_02_20481d76-9a06-4481-b1ec-40a0c9ff4d19.jpg?v=1788975483"},{"product_id":"chicken-foot-copy","title":"Dancing Bones","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eWhen constructing one of her signature abstract compositions, Anne Wehrley Björk begins with what she calls \"the bones\"; dark, nearly black calligraphic forms that establish the underlying architecture of her paintings. She describes the subsequent gestures, marks, and passages of color as being \"hung\" upon this skeletal framework. In her new works, \u003cem\u003eChicken Foot \u003c\/em\u003eand \u003cem\u003eDancing Bones\u003c\/em\u003e, Björk playfully traverses the boundary between biomorphism and pure abstraction. Inspired by Joan Mitchell, she activates the negative space of the canvas, transforming it into a dynamic field of gesture, color, and movement, where absence becomes as expressive as form.\u003c\/p\u003e\n\u003cp\u003eYear: 2026 \u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eMaterial: \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eAcrylic on canvas\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eDimensions: W 60 x D 1 ½ x H 72 in\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Jacqueline Sullivan Gallery","offers":[{"title":"Default Title","offer_id":51443607306486,"sku":"JSG-AWB002","price":0.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0665\/9735\/5766\/files\/JSG-AWB002_06_da94b683-adc5-4ff2-8c67-7ac1f29d58bc.jpg?v=1788975593"},{"product_id":"flying-back-home-1567-diptych","title":"Flying Back Home #1567 (Diptych)","description":"\u003cp dir=\"ltr\"\u003e\u003cem\u003eFlying Back Home #1567 (Diptych)\u003c\/em\u003e\u003cspan\u003e (2024) belongs to Vicky Colombet's ongoing \u003c\/span\u003e\u003cem\u003ePlis et Paysage (Folds and Landscape\u003c\/em\u003e\u003cspan\u003e\u003cem\u003e)\u003c\/em\u003e series, begun in 2015. Executed on raw linen, the blue and black paintings in the series explore folding as both a formal and conceptual structure.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eThe title\u003cem\u003e \u003c\/em\u003e\u003c\/span\u003e\u003cem\u003eFlying Back Home\u003c\/em\u003e\u003cspan\u003e refers to Colombet's frequent flights between Paris and New York, and the aerial perspectives they afforded of the fractured coastlines on either side of the Atlantic. Looking down from the airplane, the artist became interested in the movement of the sea and in the ways landscape could be understood through topographical folds and shifting planes.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eColombet has remarked that she does not make paintings \u003c\/span\u003e\u003cem\u003eof\u003c\/em\u003e\u003cspan\u003e landscapes, but rather that her paintings constitute landscapes themselves. \u003c\/span\u003e\u003cem\u003eFlying Back Home #1567\u003c\/em\u003e\u003cspan\u003e is one of the few diptychs the artist has made, allowing the composition to extend beyond the viewer’s visual field, creating an immersive experience.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eExhibition history: \u003c\/span\u003e\u003cem\u003eFlying Back Home\u003c\/em\u003e\u003cspan\u003e, Fernberger, Los Angeles, 2024.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eYear: 2024\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eMaterial: \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003ePigments, oil, alkyd on linen canvas (Ultramarine Blue Light, Iron Oxide Black, Ivory Black)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eDimensions: W 66 x D 1 x H 62 in each (2 Panles)\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Jacqueline Sullivan Gallery","offers":[{"title":"Default Title","offer_id":51443608944886,"sku":"JSG-VC001","price":0.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0665\/9735\/5766\/files\/JSG-VC001_01.jpg?v=1788211016"},{"product_id":"flying-back-home-1567-diptych-copy","title":"The Pretender","description":"\u003cp dir=\"ltr\"\u003e\u003cem\u003eThe Pretender\u003c\/em\u003e\u003cspan\u003e is based on a found snapshot of a pink-haired girl seated in a lotus pose. Like many of Phil Davis's paintings, the image is drawn from a digital archive the artist has assembled over several decades. His source material ranges from mass media and popular culture—as in \u003c\/span\u003e\u003cem\u003eI'll Be Waving As You Drive Away\u003c\/em\u003e\u003cspan\u003e, his recent exhibition at Fernberger, which drew exclusively from the 1970s television series \u003c\/span\u003e\u003cem\u003eLittle House on the Prairie\u003c\/em\u003e\u003cspan\u003e—to anonymous vernacular photographs, family snapshots, retrieved from other obscure corners of our image saturated culture. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eDavis is interested in the metonymic function of images: the ways in which a single image can stand in for broader cultural ideas or systems of meaning. 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Through the act of painting, Davis suspends the image's immediate legibility, inviting closer attention to the cultural associations and psychological projections it carries.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb id=\"docs-internal-guid-571e2713-7fff-a86e-4219-6815e96943a3\"\u003e\u003c\/b\u003eYear: 2026\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eMaterial: \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eOil on canvas\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eDimensions: W 36 x D 1 x H 36 in \u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Jacqueline Sullivan Gallery","offers":[{"title":"Default Title","offer_id":51443621134582,"sku":"JSG-PD001","price":0.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0665\/9735\/5766\/files\/JSG-PD001_02.jpg?v=1788210985"},{"product_id":"la-trampa-es-esta","title":"Untitled","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eLanguage echoes and reverberates throughout Alina Perkins's recent paintings, where poetic fragments appear across multiple canvases. In this untitled work, the phrase \"Slammed Eyelids\" is scrawled across the surface, evoking both the physical sensation of anger and a refusal to look. The text establishes a tension between language and image that animates the painting. Perkins has described painting as a sustained emotional outburst culminating in a \"desperate climax.\" Built through layers of gesture and revision, the work's surface gives material form to that psychological intensity.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eYear: 2026\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eMaterial: \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eOil on linen\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eDimensions: W 30 x D 1 ½ x H 30 in\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Jacqueline Sullivan Gallery","offers":[{"title":"Default Title","offer_id":51443623526646,"sku":"JSG-AP001","price":0.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0665\/9735\/5766\/files\/JSG-AP001_02.jpg?v=1788210887"},{"product_id":"tbd-jsg-st001","title":"Tidal Flats at Boy Beach","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eWorking from direct observation, Stephen Truax painted these three gouaches at Boy Beach in Provincetown, Massachusetts, using a custom portable painting and tent setup of his own design. The dunes at Boy Beach, known for their wild roses (Rosa rugosa), remain an important living site in the Queer history of Provincetown, and are an active gathering place for the LGBTQ community. Tidal flats, which fill with seawater at high tide in the morning and late afternoons, and the shifting light of the beach are the subject of these closely observed compositions. But Truax also remains attentive to the important cultural and political implications of Boy Beach as a site, and implicit admission to his participation in gay cruising with his physical presence there. Throughout his practice, Truax returns to landscapes that are active cruising sites for casual, sexual encounters for queer people, suggesting that landscape is never neutral, but perhaps the action is happening just beyond the painting’s view.\u003c\/p\u003e\n\u003cp\u003eYear: 2026\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eMaterial: \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eGouache and pencil on paper\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eDimensions: W 12 x H 9 in \u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Jacqueline Sullivan Gallery","offers":[{"title":"Default Title","offer_id":51443623821558,"sku":"JSG-ST001","price":0.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0665\/9735\/5766\/files\/JSG-ST001_02_eabd5e68-43c6-4af4-8f5c-8e13d5d5f300.jpg?v=1788210711"},{"product_id":"tbd-jsg-st002","title":"White Wild Roses at Boy Beach","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eWorking from direct observation, Stephen Truax painted these three gouaches at Boy Beach in Provincetown, Massachusetts, using a custom portable painting and tent setup of his own design. The dunes at Boy Beach, known for their wild roses (Rosa rugosa), remain an important living site in the Queer history of Provincetown, and are an active gathering place for the LGBTQ community. Tidal flats, which fill with seawater at high tide in the morning and late afternoons, and the shifting light of the beach are the subject of these closely observed compositions. But Truax also remains attentive to the important cultural and political implications of Boy Beach as a site, and implicit admission to his participation in gay cruising with his physical presence there. Throughout his practice, Truax returns to landscapes that are active cruising sites for casual, sexual encounters for queer people, suggesting that landscape is never neutral, but perhaps the action is happening just beyond the painting’s view.\u003c\/p\u003e\n\u003cp\u003eYear: 2026\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eMaterial: \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eGouache and pencil on paper\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eDimensions: W 12 x H 9 in \u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Jacqueline Sullivan Gallery","offers":[{"title":"Default Title","offer_id":51443623985398,"sku":"JSG-ST002","price":0.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0665\/9735\/5766\/files\/JSG-ST002_02.jpg?v=1788210668"},{"product_id":"beach-roses-at-boy-beach-provincetown","title":"Pink Wild Roses at Boy Beach","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003eWorking from direct observation, Stephen Truax painted these three gouaches at Boy Beach in Provincetown, Massachusetts, using a custom portable painting and tent setup of his own design. The dunes at Boy Beach, known for their wild roses (Rosa rugosa), remain an important living site in the Queer history of Provincetown, and are an active gathering place for the LGBTQ community. Tidal flats, which fill with seawater at high tide in the morning and late afternoons, and the shifting light of the beach are the subject of these closely observed compositions. But Truax also remains attentive to the important cultural and political implications of Boy Beach as a site, and implicit admission to his participation in gay cruising with his physical presence there. Throughout his practice, Truax returns to landscapes that are active cruising sites for casual, sexual encounters for queer people, suggesting that landscape is never neutral, but perhaps the action is happening just beyond the painting’s view.\u003c\/p\u003e\n\u003cp\u003eYear: 2026\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eMaterial: \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eGouache and pencil on paper\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eDimensions: W 12 x H 9 in \u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Jacqueline Sullivan Gallery","offers":[{"title":"Default Title","offer_id":51443624050934,"sku":"JSG-ST003","price":0.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0665\/9735\/5766\/files\/JSG-ST003_02.jpg?v=1788210557"},{"product_id":"heartburn","title":"Heartburn","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eGreta Waller’s work sustains a meditation on states of change, attending to moments of transition at their most exposed. Shifts of light, color, and form appear before the subject congeals, when perception remains provisional and contingent. What comes into view is an ethics of looking grounded in attentiveness to what is present, even when that commitment risks misrecognition, or moves perception toward abstraction. Waller paints in order to find the logic of chaos. Her various subjects function as occasions for looking rather than symbolic propositions. The roasted heart at the center of Heartburn carries a charge of scorn, abandonment, and loss, burned into the surface as part of its making. Whatever emotional force the image holds arises from the material conditions of its production. However, the sheer beauty of the image cannot be understated. The surface of the charred heart contains a galaxy of detail and color, the result of the artist’s sustained looking and attention\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eYear: 2026\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eMaterial: \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eOil on linen\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eDimensions: W 20 x D 2 x H 18 ½ in\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Jacqueline Sullivan Gallery","offers":[{"title":"Default Title","offer_id":51443624378614,"sku":"JSG-GW001","price":0.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0665\/9735\/5766\/files\/JSG-GW001_02.jpg?v=1788210463"},{"product_id":"not-yet-titled","title":"Nicasio","description":"\u003cp dir=\"ltr\"\u003e\u003cem\u003eNicasio\u003c\/em\u003e\u003cspan\u003e belongs to a new body of work by Elana Bowsher in which the artist works with oil and oil pastel on cardboard. Drawn to the material for its absorbency, Bowsher uses cardboard as a support because it draws excess oil from the surface of the drawing, producing a distinctly matte finish. She was also drawn to the modest scale and portability of the cardboard panels, taking them on road trips throughout Northern California as she developed this series.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eWhile Bowsher's practice has long been rooted in abstraction, these recent works take landscape as their point of departure. \u003c\/span\u003e\u003cem\u003eNicasio\u003c\/em\u003e\u003cspan\u003e is named after the small town in Northern California near where the artist grew up. Working \u003c\/span\u003e\u003cem\u003een plein air\u003c\/em\u003e\u003cspan\u003e\u003cem\u003e,\u003c\/em\u003e Bowsher looked to the example of the Nabis, whose intimate, portable paintings dissolved direct observation into memory, atmosphere, and sensation. Rather than describing a specific place, the work reflects an engagement with the experience of landscape through color, gesture, and light.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eThe work is presented in a custom walnut artist's frame.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eYear: 2026\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eMaterial: \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eOil and oil pastel on cardboard in artists walnut frame\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eDimensions: W 18 ½  x D 1 ¾ H 7 ½ in \u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Jacqueline Sullivan Gallery","offers":[{"title":"Default Title","offer_id":51443624902902,"sku":"JSG-EB001","price":0.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0665\/9735\/5766\/files\/JSG-EB001_02.jpg?v=1788210379"},{"product_id":"tbd-jsg-fdf003-copy","title":"Somewhere Tonight","description":"\u003cp dir=\"ltr\"\u003e\u003cspan\u003eThis work exists in dialogue with the new wall hanging works by Ernesto Burgos presented in the artist's current solo exhibition at Fernberger, Los Angeles. Constructed from sheets of cardboard saturated with resin, the sculptural grounds are shaped into forms that project from the wall, creating supports that are at once structural and pictorial.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eWorking with oil, oil stick, and charcoal, Burgos developed this composition in response to the contours of the support. The relationship between image and form reorganizes itself as the viewer moves around the object, continually renewing the experience of the work. Burgos's sculptural paintings resist definitive readings not because they are unresolved, but because they refuse to exhaust themselves in a single encounter.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eYear: 2026\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eMaterial: \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eFiberglass, resin, wood, cardboard, charcoal, oil paint\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eDimensions: W 53 x D 4 x H 45 in \u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Jacqueline Sullivan Gallery","offers":[{"title":"Default Title","offer_id":51467620974838,"sku":"JSG-EBU001","price":0.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0665\/9735\/5766\/files\/JSG-ERB001_02_1540989d-fa5f-48f4-a078-f29b419d4b68.jpg?v=1788975328"},{"product_id":"lantern","title":"Lantern","description":"\u003cp dir=\"ltr\"\u003e\u003cspan\u003eElana Bowsher (b. 1990, San Francisco, CA) lives and works in Los Angeles. Bowsher creates abstractions shaped by Expressionism, Orphism, postwar painting, and the organic vocabularies of the natural world. Her canvases draw on cells, fungi, seeds, and filtered light, merging these references with fluid pours that introduce chance into a disciplined studio process. Bowsher works from sketches, watercolors, and notational studies, developing an internal archive of forms that migrate across paintings. Trained first in ceramics, Bowsher’s work treats painting as a site of material experimentation and transformation. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eShe has been the subject of solo and two person exhibitions at Hannah Hoffman, Los Angeles (2024); T293, Rome (2023); and Alexander Berggruen (2020, 2021). She has an upcoming two person exhibition with Zoë Carlon at 12.26 in Houston, TX.Bowsher's work is included in the permanent collection of the Stevenson Arts Foundation, San Jose, CA. She is represented by Hoffman Donahue in New York and Los Angeles. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eYear: 2026\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eMaterial: \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eOil on linen\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eDimensions: W 8 x D 1 H 10 in \u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Jacqueline Sullivan Gallery","offers":[{"title":"Default Title","offer_id":51611658584310,"sku":"JSG-EB002","price":0.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0665\/9735\/5766\/files\/Fernberger_9.8.2026_15copy.jpg?v=1789154451"}],"url":"https:\/\/jacquelinesullivangallery.com\/collections\/painting.oembed","provider":"Jacqueline Sullivan Gallery","version":"1.0","type":"link"}