{"title":"Fernberger at Jacqueline Sullivan Gallery","description":"\u003cp\u003eArt and design are often presented as distinct disciplines, separated by conventions of medium, function, and context. In lived spaces, however, these boundaries are far less fixed. Paintings and sculpture exist alongside furniture, ceramics, textiles and decorative objects, creating relationships that are intuitive, personal and continually shifting. \u003cem\u003eFernberger at Jacqueline Sullivan Gallery\u003c\/em\u003e, organized by Emma Fernberger of the Los Angeles contemporary art gallery Fernberger, embraces this interplay, bringing together contemporary artworks with historical furniture, design and decorative objects from Jacqueline Sullivan Gallery.\u003c\/p\u003e\n\u003cp\u003eWorks by Anne Wehrley Björk, Elana Bowsher, Ernesto Burgos, Vicky Colombet, Phil Davis, Federico De Francesco, Nik Gelormino, Alina Perkins, Stephen Truax, Greta Waller and Nicole Wittenberg engage a wide range of approaches to material, image, surface and form. Presented alongside objects spanning different eras, regions and aesthetic traditions, unexpected affinities emerge through color, gesture, material, and composition. Rather than establishing hierarchies between art and design, historical and contemporary, or functional and expressive, the exhibition allows these distinctions to remain fluid. Guided by a shared sensibility of beauty and irreverence, \u003cem\u003eFernberger at Jacqueline Sullivan Gallery\u003c\/em\u003e proposes that objects need not share a period, provenance, or purpose to meaningfully coexist; their proximity can instead offer new ways of looking at and understanding one another.\u003cbr\u003e\u003c\/p\u003e","products":[{"product_id":"clutha-glassware-by-christopher-dresser-for-liberty-1","title":"Clutha Glassware by Christopher Dresser for Liberty","description":"\u003cp\u003eThe Clutha range, developed by Dresser and produced by James Couper \u0026amp; Sons (Glasgow, 1888) reveals inspiration from Roman glass, especially in the opaque, darker coloured vessels. The range was sold exclusively through Libertys London.\u003c\/p\u003e\n\n\u003cp\u003eYear: 1888\u003c\/p\u003e\n\n\u003cp\u003eMaterial: Glass\u003c\/p\u003e\n\n\u003cp\u003eDimensions: Variable\u003c\/p\u003e","brand":"Jacqueline Sullivan Gallery","offers":[{"title":"Default Title","offer_id":48099891675382,"sku":"JSG-HF31 (#1\/11)","price":0.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0665\/9735\/5766\/files\/Z0dg45bqstJ971p9_ChristopherDresser_HF32-11_3.jpg?v=1743899911"},{"product_id":"clutha-glassware-by-christopher-dresser-for-liberty-5","title":"Clutha Glassware by Christopher Dresser for Liberty","description":"\u003cp\u003eThe Clutha range, developed by Dresser and produced by James Couper \u0026amp; Sons (Glasgow, 1888) reveals inspiration from Roman glass, especially in the opaque, darker coloured vessels. 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Surrounded by a delicate oak frame, the shade protrudes from the wall or ceiling as if it were a freshly cut gemstone emerging from the earth.\u003c\/p\u003e\n\u003cp\u003eYear: c. 1924\u003c\/p\u003e\n\u003cp\u003eMaterials: Oak, paper, metal\u003c\/p\u003e\n\u003cp\u003eDimensions: W 26 1\/2 x D 6 x H 20 in\u003c\/p\u003e","brand":"Jacqueline Sullivan Gallery","offers":[{"title":"Default Title","offer_id":48099892920566,"sku":"JSG-HF137","price":0.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0665\/9735\/5766\/files\/ZzJUBa8jQArT0tYO_AnthroposophicalLamp_JSG_02.jpg?v=1743899937"},{"product_id":"cabriole-leg-queen-anne-candlestand","title":"Cabriole Leg Queen Anne Candlestand","description":"\u003cp\u003eWith the rise of colonial prosperity and the influx of skilled British craftsman to the United States in the 1720s and 30s, the “Queen Anne Style” gained significant popularity. Though the furniture is often characterized by its organic curved lines, c-scrolls and s-scrolls and cabriole legs, it appears more lightweight and delicate than its baroque-style predecessors. Simple tea tables and candlestands were often made in walnut, cherry, poplar and maple. 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Because they were so small and lightweight, they could be moved within the home to be used in a myriad of ways.\u003c\/p\u003e\n\n\u003cp\u003eYear: c. 1770\u003c\/p\u003e\n\n\u003cp\u003eMaterials: Cherry Wood\u003c\/p\u003e\n\n\u003cp\u003eDimensions: W 16 x D 15 3\/4 x H 24 3\/4 in\u003c\/p\u003e","brand":"Jacqueline Sullivan Gallery","offers":[{"title":"Default Title","offer_id":48099910025462,"sku":"JSG-HF140","price":0.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0665\/9735\/5766\/files\/ZzKf6K8jQArT0ty4_DSCF0858copy.jpg?v=1743900132"},{"product_id":"blanket-chest-1","title":"Blanket Chest","description":"\u003cp\u003eThis beautifully patinated dark oak blanket chest retains original hardware and is\u003cbr\u003e\na wonderful size for storing blankets\u003cbr\u003e\nand linens. Most likely from the 19th century, its expressive wear is perfect and indicative that it was well-used and loved.\u003c\/p\u003e\n\n\u003cp\u003eYear: c. 1800\u003c\/p\u003e\n\n\u003cp\u003eMaterials: Wood\u003c\/p\u003e\n\n\u003cp\u003eDimensions: W 38 x D 16 1\/4 x H 21 in\u003c\/p\u003e","brand":"Jacqueline Sullivan Gallery","offers":[{"title":"Default Title","offer_id":48099919495414,"sku":"JSG-HF073","price":0.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0665\/9735\/5766\/files\/Zenj-XUurf2G3MeU_JSG_BlanketChest_01copy.jpg?v=1743900303"},{"product_id":"hannan-chair","title":"Hannan Chair","description":"\u003cp\u003eThe monumental Hannan Chair by Teruaki Ohashi for Inoue Industries Inc. in 1985 is an iconic design displaying the most curious and playful proportions. Composed of an almost otherworldly, curly lacquered metal frame with a batik dyed seat and back, as well as other cushions stacked à la “Princess and the Pea”, the chair is a testament to Ohashi’s inquiry into both new forms and techniques of making.\u003c\/p\u003e\n\n\u003cp\u003eYear: 1985\u003c\/p\u003e\n\n\u003cp\u003eMaterials: Lacquered metal frame, stacked cushions, cotton linen\u003c\/p\u003e\n\n\u003cp\u003eDimensions: W 64 x D 43 x H 28 1\/2 in\u003c\/p\u003e","brand":"Jacqueline Sullivan Gallery","offers":[{"title":"Default Title","offer_id":48099926835446,"sku":"JSG-HF114","price":0.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0665\/9735\/5766\/files\/ZljtOqWtHYXtT8r3_DSCF4851.jpg?v=1743900462"},{"product_id":"arts-and-crafts-pendant-light","title":"Arts and Crafts Pendant Light","description":"\u003cp\u003eThis Arts \u0026amp; Crafts pendant light was made in 1900 and is made of dazzling, bright copper in nearly perfect condition. When illuminated, the light strikes the surrounding walls much like a softened disco ball. The rare pendant  is attributed to the architect and designer Willam Arthur Smith Benson (1854-1924), due to its visual vernacular featuring a floral motif, as well as his use of materials. Benson was a friend of William Morris and one of the founding members of the Art Workers Guild in 1884. He also oversaw the furniture department of Morris \u0026amp; Co. after Morris’ death in 1896.\u003c\/p\u003e\n\n\u003cp\u003eYear: c. 1900\u003c\/p\u003e\n\n\u003cp\u003eMaterials: Copper\u003c\/p\u003e\n\n\u003cp\u003eDimensions: DIA 17 x H 38 in\u003c\/p\u003e","brand":"Jacqueline Sullivan Gallery","offers":[{"title":"Default Title","offer_id":48099944726774,"sku":"JSG-HF038","price":0.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0665\/9735\/5766\/files\/JSG-HF038_01.jpg?v=1788552754"},{"product_id":"low-chair","title":"Low Chair","description":"\u003cp\u003eThis sweet hand-painted chair was designed and produced by Morris \u0026amp; Co. in the late 19th century. The chair is painted black with small gold painted embellishments like a natural flower motif and solid bands on the chair’s back. The rush seat is in near-perfect condition and employs the same techniques as Morris \u0026amp; Co.’s well known and widely beloved Sussex Chair.\u003c\/p\u003e\n\n\u003cp\u003eYear: C. 1860\u003c\/p\u003e\n\n\u003cp\u003eMaterial: Stained beech, rush\u003c\/p\u003e\n\n\u003cp\u003eDimensions: W 33 x D 15 x H 33 in\u003c\/p\u003e","brand":"Jacqueline Sullivan Gallery","offers":[{"title":"Default Title","offer_id":48099946004726,"sku":"JSG-HF028","price":0.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0665\/9735\/5766\/files\/JSG-HF028_01.jpg?v=1788552849"},{"product_id":"ettore-sottsass-cabinet-for-esprit-showroom","title":"Ettore Sottsass Cabinet for Esprit Showroom","description":"\u003cp\u003eItalian architect and designer Ettore Sottsass (1917-2007) was a prolific and greatly admired figure who started the well-renowned Memphis Group in 1980. In 1985, Sottsass left to found his own architecture firm, Sottsass Associati. It was there that Sottsass was commissioned to design the interiors for stores throughout Europe, such as the Esprit Showroom in Cologne. His imagination was unbridled and the showroom was a wild expression of a myriad of colorful veneers, cartoon-like forms and materials like patterned formica. \u003c\/p\u003e \n\n\u003cp\u003eYear: 1987\u003c\/p\u003e\n\n\u003cp\u003eMaterial: Formica, mixed veneer, steel\u003c\/p\u003e\n\n\u003cp\u003eDimensions: W 38 1\/2 x D 31 1\/2 x H 67 1\/2 in\u003c\/p\u003e","brand":"Jacqueline Sullivan Gallery","offers":[{"title":"Default Title","offer_id":48099946168566,"sku":"JSG-HF013","price":0.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0665\/9735\/5766\/files\/JSG-HF013_01.jpg?v=1788631709"},{"product_id":"queen-of-nobody-chair","title":"Queen of Nobody Chair","description":"\u003cp\u003eFrom Gaetano Pesce’s series ‘Nobody’s Royal’, a chair in red resin with yellow streaks. Pesce's oeuvre displays thorough experimentation of form using resin. He has said “I wanted to make people understand that creativity resides in rejecting previously seen models, and this proceeds in the absence of repetition”. So, by using an inconsistent material such as he is, it allows for spontaneity and uniqueness every time. The throne offers comfort with a quilted cushion and covers for the curved ‘leaves’ on the back.\u003c\/p\u003e\n\u003cp\u003eYear: 2002\u003c\/p\u003e\n\u003cp\u003eMaterials: Polyurethane resin, fabric, elastic\u003c\/p\u003e\n\u003cp\u003eDimensions: W 43 1\/3  x D 35 1\/2  x H 43 1\/3  in\u003c\/p\u003e\n\u003cp\u003eSigned\u003c\/p\u003e","brand":"Jacqueline Sullivan Gallery","offers":[{"title":"Default Title","offer_id":48099946692854,"sku":"JSG-HF015","price":0.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0665\/9735\/5766\/files\/JSG-HF015_01.jpg?v=1788552497"},{"product_id":"italian-dining-table","title":"Italian Dining Table","description":"\u003cp\u003eOffredi’s collaborative relationship with manufacturer and retailer Saporti was a long and fruitful one producing many successful designs for over 20 years. The designs are unwaveringly elegant and minimal, always in the pursuit of modern techniques. Illustrated in this dining table is a motif often returned to by Offredi, a half tube table leg. They appear like architectural columns or an arcade hinting at Classicism, but are completely modern in their function as a table.\u003c\/p\u003e\n\n\u003cp\u003eYear: 1981\u003c\/p\u003e\n\n\u003cp\u003eMaterials: Stained birdseye maple\u003c\/p\u003e\n\n\u003cp\u003eDimensions: D 51 x H 28 1\/4 in\u003c\/p\u003e","brand":"Jacqueline Sullivan Gallery","offers":[{"title":"Default Title","offer_id":48099948003574,"sku":"JSG-HF007","price":0.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0665\/9735\/5766\/files\/69d6af6d-c69f-401f-bb07-f9432e3b1a27_JSG-HF007-DiningTable-D.jpg?v=1743900932"},{"product_id":"pair-of-french-candle-sconces","title":"Pair of French Candle Sconces","description":"\u003cp\u003eThis pair of 20th-century French tole candle sconces is notably elegant. 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Inspired by Joan Mitchell, she activates the negative space of the canvas, transforming it into a dynamic field of gesture, color, and movement, where absence becomes as expressive as form.\u003c\/p\u003e\n\u003cp\u003eYear: 2026 \u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eMaterial: \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eAcrylic on canvas\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eDimensions: W 60 x D 1 ½ x H 72 in\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Jacqueline Sullivan Gallery","offers":[{"title":"Default Title","offer_id":51443607306486,"sku":"JSG-AWB002","price":0.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0665\/9735\/5766\/files\/JSG-AWB002_06_da94b683-adc5-4ff2-8c67-7ac1f29d58bc.jpg?v=1788975593"},{"product_id":"flying-back-home-1567-diptych","title":"Flying Back Home #1567 (Diptych)","description":"\u003cp dir=\"ltr\"\u003e\u003cem\u003eFlying Back Home #1567 (Diptych)\u003c\/em\u003e\u003cspan\u003e (2024) belongs to Vicky Colombet's ongoing \u003c\/span\u003e\u003cem\u003ePlis et Paysage (Folds and Landscape\u003c\/em\u003e\u003cspan\u003e\u003cem\u003e)\u003c\/em\u003e series, begun in 2015. Executed on raw linen, the blue and black paintings in the series explore folding as both a formal and conceptual structure.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eThe title\u003cem\u003e \u003c\/em\u003e\u003c\/span\u003e\u003cem\u003eFlying Back Home\u003c\/em\u003e\u003cspan\u003e refers to Colombet's frequent flights between Paris and New York, and the aerial perspectives they afforded of the fractured coastlines on either side of the Atlantic. Looking down from the airplane, the artist became interested in the movement of the sea and in the ways landscape could be understood through topographical folds and shifting planes.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eColombet has remarked that she does not make paintings \u003c\/span\u003e\u003cem\u003eof\u003c\/em\u003e\u003cspan\u003e landscapes, but rather that her paintings constitute landscapes themselves. \u003c\/span\u003e\u003cem\u003eFlying Back Home #1567\u003c\/em\u003e\u003cspan\u003e is one of the few diptychs the artist has made, allowing the composition to extend beyond the viewer’s visual field, creating an immersive experience.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eExhibition history: \u003c\/span\u003e\u003cem\u003eFlying Back Home\u003c\/em\u003e\u003cspan\u003e, Fernberger, Los Angeles, 2024.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eYear: 2024\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eMaterial: \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003ePigments, oil, alkyd on linen canvas (Ultramarine Blue Light, Iron Oxide Black, Ivory Black)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eDimensions: W 66 x D 1 x H 62 in each (2 Panles)\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Jacqueline Sullivan Gallery","offers":[{"title":"Default Title","offer_id":51443608944886,"sku":"JSG-VC001","price":0.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0665\/9735\/5766\/files\/JSG-VC001_01.jpg?v=1788211016"},{"product_id":"flying-back-home-1567-diptych-copy","title":"The Pretender","description":"\u003cp dir=\"ltr\"\u003e\u003cem\u003eThe Pretender\u003c\/em\u003e\u003cspan\u003e is based on a found snapshot of a pink-haired girl seated in a lotus pose. Like many of Phil Davis's paintings, the image is drawn from a digital archive the artist has assembled over several decades. His source material ranges from mass media and popular culture—as in \u003c\/span\u003e\u003cem\u003eI'll Be Waving As You Drive Away\u003c\/em\u003e\u003cspan\u003e, his recent exhibition at Fernberger, which drew exclusively from the 1970s television series \u003c\/span\u003e\u003cem\u003eLittle House on the Prairie\u003c\/em\u003e\u003cspan\u003e—to anonymous vernacular photographs, family snapshots, retrieved from other obscure corners of our image saturated culture. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eDavis is interested in the metonymic function of images: the ways in which a single image can stand in for broader cultural ideas or systems of meaning. 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Through the act of painting, Davis suspends the image's immediate legibility, inviting closer attention to the cultural associations and psychological projections it carries.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb id=\"docs-internal-guid-571e2713-7fff-a86e-4219-6815e96943a3\"\u003e\u003c\/b\u003eYear: 2026\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eMaterial: \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eOil on canvas\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eDimensions: W 36 x D 1 x H 36 in \u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Jacqueline Sullivan Gallery","offers":[{"title":"Default Title","offer_id":51443621134582,"sku":"JSG-PD001","price":0.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0665\/9735\/5766\/files\/JSG-PD001_02.jpg?v=1788210985"},{"product_id":"la-trampa-es-esta","title":"Untitled","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eLanguage echoes and reverberates throughout Alina Perkins's recent paintings, where poetic fragments appear across multiple canvases. In this untitled work, the phrase \"Slammed Eyelids\" is scrawled across the surface, evoking both the physical sensation of anger and a refusal to look. The text establishes a tension between language and image that animates the painting. Perkins has described painting as a sustained emotional outburst culminating in a \"desperate climax.\" Built through layers of gesture and revision, the work's surface gives material form to that psychological intensity.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eYear: 2026\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eMaterial: \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eOil on linen\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eDimensions: W 30 x D 1 ½ x H 30 in\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Jacqueline Sullivan Gallery","offers":[{"title":"Default Title","offer_id":51443623526646,"sku":"JSG-AP001","price":0.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0665\/9735\/5766\/files\/JSG-AP001_02.jpg?v=1788210887"},{"product_id":"tbd-jsg-st001","title":"Tidal Flats at Boy Beach","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eWorking from direct observation, Stephen Truax painted these three gouaches at Boy Beach in Provincetown, Massachusetts, using a custom portable painting and tent setup of his own design. The dunes at Boy Beach, known for their wild roses (Rosa rugosa), remain an important living site in the Queer history of Provincetown, and are an active gathering place for the LGBTQ community. Tidal flats, which fill with seawater at high tide in the morning and late afternoons, and the shifting light of the beach are the subject of these closely observed compositions. But Truax also remains attentive to the important cultural and political implications of Boy Beach as a site, and implicit admission to his participation in gay cruising with his physical presence there. Throughout his practice, Truax returns to landscapes that are active cruising sites for casual, sexual encounters for queer people, suggesting that landscape is never neutral, but perhaps the action is happening just beyond the painting’s view.\u003c\/p\u003e\n\u003cp\u003eYear: 2026\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eMaterial: \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eGouache and pencil on paper\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eDimensions: W 12 x H 9 in \u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Jacqueline Sullivan Gallery","offers":[{"title":"Default Title","offer_id":51443623821558,"sku":"JSG-ST001","price":0.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0665\/9735\/5766\/files\/JSG-ST001_02_eabd5e68-43c6-4af4-8f5c-8e13d5d5f300.jpg?v=1788210711"},{"product_id":"tbd-jsg-st002","title":"White Wild Roses at Boy Beach","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eWorking from direct observation, Stephen Truax painted these three gouaches at Boy Beach in Provincetown, Massachusetts, using a custom portable painting and tent setup of his own design. 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Throughout his practice, Truax returns to landscapes that are active cruising sites for casual, sexual encounters for queer people, suggesting that landscape is never neutral, but perhaps the action is happening just beyond the painting’s view.\u003c\/p\u003e\n\u003cp\u003eYear: 2026\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eMaterial: \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eGouache and pencil on paper\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eDimensions: W 12 x H 9 in \u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Jacqueline Sullivan Gallery","offers":[{"title":"Default Title","offer_id":51443623985398,"sku":"JSG-ST002","price":0.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0665\/9735\/5766\/files\/JSG-ST002_02.jpg?v=1788210668"},{"product_id":"beach-roses-at-boy-beach-provincetown","title":"Pink Wild Roses at Boy Beach","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003eWorking from direct observation, Stephen Truax painted these three gouaches at Boy Beach in Provincetown, Massachusetts, using a custom portable painting and tent setup of his own design. 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Throughout his practice, Truax returns to landscapes that are active cruising sites for casual, sexual encounters for queer people, suggesting that landscape is never neutral, but perhaps the action is happening just beyond the painting’s view.\u003c\/p\u003e\n\u003cp\u003eYear: 2026\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eMaterial: \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eGouache and pencil on paper\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eDimensions: W 12 x H 9 in \u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Jacqueline Sullivan Gallery","offers":[{"title":"Default Title","offer_id":51443624050934,"sku":"JSG-ST003","price":0.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0665\/9735\/5766\/files\/JSG-ST003_02.jpg?v=1788210557"},{"product_id":"heartburn","title":"Heartburn","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eGreta Waller’s work sustains a meditation on states of change, attending to moments of transition at their most exposed. Shifts of light, color, and form appear before the subject congeals, when perception remains provisional and contingent. What comes into view is an ethics of looking grounded in attentiveness to what is present, even when that commitment risks misrecognition, or moves perception toward abstraction. Waller paints in order to find the logic of chaos. Her various subjects function as occasions for looking rather than symbolic propositions. The roasted heart at the center of Heartburn carries a charge of scorn, abandonment, and loss, burned into the surface as part of its making. Whatever emotional force the image holds arises from the material conditions of its production. However, the sheer beauty of the image cannot be understated. The surface of the charred heart contains a galaxy of detail and color, the result of the artist’s sustained looking and attention\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eYear: 2026\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eMaterial: \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eOil on linen\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eDimensions: W 20 x D 2 x H 18 ½ in\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Jacqueline Sullivan Gallery","offers":[{"title":"Default Title","offer_id":51443624378614,"sku":"JSG-GW001","price":0.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0665\/9735\/5766\/files\/JSG-GW001_02.jpg?v=1788210463"},{"product_id":"not-yet-titled","title":"Nicasio","description":"\u003cp dir=\"ltr\"\u003e\u003cem\u003eNicasio\u003c\/em\u003e\u003cspan\u003e belongs to a new body of work by Elana Bowsher in which the artist works with oil and oil pastel on cardboard. Drawn to the material for its absorbency, Bowsher uses cardboard as a support because it draws excess oil from the surface of the drawing, producing a distinctly matte finish. She was also drawn to the modest scale and portability of the cardboard panels, taking them on road trips throughout Northern California as she developed this series.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eWhile Bowsher's practice has long been rooted in abstraction, these recent works take landscape as their point of departure. \u003c\/span\u003e\u003cem\u003eNicasio\u003c\/em\u003e\u003cspan\u003e is named after the small town in Northern California near where the artist grew up. Working \u003c\/span\u003e\u003cem\u003een plein air\u003c\/em\u003e\u003cspan\u003e\u003cem\u003e,\u003c\/em\u003e Bowsher looked to the example of the Nabis, whose intimate, portable paintings dissolved direct observation into memory, atmosphere, and sensation. 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While abstract, they offer glimmers of figuration, with forms that oscillate between the organic and the anthropomorphic. Although De Francesco is best known for his paintings and works on paper, ceramics have been part of his practice for several years. These works are among the first sculptures he has exhibited publicly. Rooted in De Francesco's own gestural vocabulary, each of these three sculptures retains the traces of its making. Physical accumulation of material becomes a way to give form to the artist’s inner world, allowing intimacy and vulnerability to surface.\u003c\/p\u003e\n\u003cp\u003eYear: 2021\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eMaterial: Glazed stoneware\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eDimensions: W 10 x D 9 x H 9 ½ in \u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Jacqueline Sullivan Gallery","offers":[{"title":"Default Title","offer_id":51443625296118,"sku":"JSG-FDF001","price":0.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0665\/9735\/5766\/files\/JSG-FDF001_01.jpg?v=1788210305"},{"product_id":"tbd-jsg-fdf002","title":"A Way In","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eFederico De Francesco's ceramic sculptures extend the logic of his paintings and drawings into three dimensions. 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Physical accumulation of material becomes a way to give form to the artist’s inner world, allowing intimacy and vulnerability to surface.\u003c\/p\u003e\n\u003cp\u003eYear: 2021\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eMaterial: Glazed stoneware\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eDimensions: W 9 ½ x D 8 x H 12 in \u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Jacqueline Sullivan Gallery","offers":[{"title":"Default Title","offer_id":51443626148086,"sku":"JSG-FDF003","price":0.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0665\/9735\/5766\/files\/JSG-FDF003_01.jpg?v=1788210218"},{"product_id":"tbd-jsg-fdf003-copy","title":"Somewhere Tonight","description":"\u003cp dir=\"ltr\"\u003e\u003cspan\u003eThis work exists in dialogue with the new wall hanging works by Ernesto Burgos presented in the artist's current solo exhibition at Fernberger, Los Angeles. Constructed from sheets of cardboard saturated with resin, the sculptural grounds are shaped into forms that project from the wall, creating supports that are at once structural and pictorial.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eWorking with oil, oil stick, and charcoal, Burgos developed this composition in response to the contours of the support. The relationship between image and form reorganizes itself as the viewer moves around the object, continually renewing the experience of the work. Burgos's sculptural paintings resist definitive readings not because they are unresolved, but because they refuse to exhaust themselves in a single encounter.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eYear: 2026\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eMaterial: \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eFiberglass, resin, wood, cardboard, charcoal, oil paint\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eDimensions: W 53 x D 4 x H 45 in \u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Jacqueline Sullivan Gallery","offers":[{"title":"Default Title","offer_id":51467620974838,"sku":"JSG-EBU001","price":0.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0665\/9735\/5766\/files\/JSG-ERB001_02_1540989d-fa5f-48f4-a078-f29b419d4b68.jpg?v=1788975328"},{"product_id":"pair-of-chairs-from-st-paul-s-catholic-church-in-karuizawa-japan","title":"Pair of Chairs from St. Paul’s Catholic Church in Karuizawa, Japan","description":"\u003cp\u003eGeorge Nakashima designed this rare pair of chairs under the studio of Antonin Raymond for the St Paul’s Catholic Church in Karuizawa, Japan, in 1934. \u003c\/p\u003e\n\u003cp\u003eThe structure of the church was built using peeled-poles of Cryptomeria (Sugi, in Japanese \/ Japanese Cedar in English). Interior photographs of the church show that the poles are left exposed, a gesture pertaining to a vernacular style, free of industrial homogeneity. \u003c\/p\u003e\n\u003cp\u003eThe chairs for the church mark Nakashima’s first foray into furniture design—the beginnings of a now widely celebrated style that highlights the inconsistencies inherent in natural materials. \u003c\/p\u003e\n\u003cp\u003eThe chairs are basic and holistic in their assembly: posts and crossbars are made from the same branches of the trees used to construct the building. The legs are joined through visible means of squared wooden pegs protruding from the cylindrical cedar components, and the seat is woven with seagrass (another local tradition). The backrest is similarly formed by a curved steel rod cushioned with seagrass. \u003c\/p\u003e\n\u003cp\u003eIt was believed that only two of the original chairs survived a renovation (which are shown at The George Nakashima Memorial Museum) until recently, when a set of six were discovered in a private collection in New Zealand. \u003c\/p\u003e\n\u003cp\u003eYear: \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e1934\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eMaterial: \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eCedarwood, seagrass, steel\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eDimensions:  W 17 ¼ x D 18 ¾ x H 31 ¾ x SH 16 ¾ in\u003cbr\u003e\u003c\/p\u003e","brand":"Jacqueline Sullivan Gallery","offers":[{"title":"Default Title","offer_id":51560182677750,"sku":"JSG-245","price":0.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0665\/9735\/5766\/files\/JSG-HF247_01.jpg?v=1788210084"},{"product_id":"floral-wool-carpet","title":"Floral Wool Carpet","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eThis monumental wool carpet exhibits a comprehensive Mughal-inspired floral buta pattern set against a soft blush-ivory field. The composition features a systematic repetition of stylized lotus and chrysanthemum-like blossoms, complemented by delicate floral sprigs. An intricate, narrow floral vine border serves to outline the expansive central field. 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