{"title":"Fancy \u0026 Flourish","description":"\u003cp class=\"p3\"\u003eIn 2004, antiques dealer and former Colonial Williamsburg curator Sumpter T. Priddy III organized the exhibition, \u003ci\u003e“American Fancy: Exuberance in the Arts, 1790-1840”\u003c\/i\u003e, which debuted at the Milwaukee Art Museum in collaboration with the Chipstone Foundation. The accompanying catalogue is a thorough, enlightening and visually dazzling opus to the breadth of the “fancy” style, offering an exhaustive catalogue of American furniture, ceramics, glass, metalwork, textiles, costume and paintings.\u003c\/p\u003e\n\u003cp class=\"p3\"\u003e“Fancy” (as Priddy first called it in his 1981 University of Delaware\/Winterthur Program master’s thesis), describes a style that emerged in the late 18th and early 19th centuries characterized by brightly painted surfaces, stenciled gilding, bold patterns, and playful expressions of line and composition. The painterly treatment of surfaces, in particular, was used in place of expensive materials like mahogany, or laborious processes like ornate inlay and veneer. Everyday, unremarkable furniture and objects became revelatory, infused with imagination to elicit boundless visual pleasure and delight. It is important to also note that “fancy” did not mean expensive nor elite; the painted and stenciled furniture could be produced inexpensively and in large quantities, making it affordable and accessible to a growing middle class market. 19th century American furniture manufacturer Lambert Hitchcock introduced “Hitchcock Furniture”, (now a household name) and was one of the preeminent figures in the popularization of the “fancy” style and its mass production.\u003c\/p\u003e\n\u003cp class=\"p4\"\u003e\u003ci\u003eFancy \u0026amp; Flourish \u003c\/i\u003eis greatly inspired by Priddy’s seminal research. This exhibition, however, represents a point of departure from “fancy” as merely a term included within the academic nomenclature of decorative arts studies, to the representation of a more expansive examination of its very spirit. Contemporary artists utilize ceramics, in particular, to engage with a wide breadth of historical examples of furniture, textiles, lighting and decorative objects, ranging from the early 19th century to the present. “Fancy” becomes the enduring language by which playful patterns, forms and surface treatments can yield deep and vast imaginative possibilities. Fancy continues to flourish.\u003c\/p\u003e","products":[{"product_id":"hitchcock-style-stencil-chair","title":"Painted Stencil Chair","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-sheets-root=\"1\"\u003eThis painted fancy features a woven rush seat arranged in an eight-point star pattern. The black ground is accented with gold stenciling, including a row of circular motifs across the back splat. The crest rail is decorated with a stylized calligraphy pen wrapped in a leaf motif. Stenciling allowed for repeated decorative ornament while maintaining efficiency, adding exquisite detail and patterning to the otherwise simple chair form.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eYear: \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-sheets-root=\"1\"\u003eEarly 19th Century\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eMaterial: Wood, paint, rush\u003cmeta charset=\"utf-8\"\u003e\u003c\/p\u003e\n\u003cp\u003eDimensions: \u003cmeta charset=\"utf-8\"\u003eW 18 ¼  x D 18 x H 33 x SH 17 ¼ in \u003c\/p\u003e","brand":"Jacqueline Sullivan Gallery","offers":[{"title":"Default Title","offer_id":50408448491766,"sku":"JSG-HF235","price":0.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0665\/9735\/5766\/files\/JSG-HF235_01.jpg?v=1777575217"},{"product_id":"settee","title":"Settee","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-sheets-root=\"1\"\u003eFede Cheti (1905-1978) was a pioneer in textile and rug design in Italy during the mid-20th century. In 1936 she founded her own company in Milan, which employed many prominent artists, designers and illustrators. Gio Ponti was one with whom she worked but also shared a close personal relationship. This Fede Cheti settee, characterized by a flourishing lip or moustache shaped-back, retains its original lavender upholstery. The fabric is sun faded along its base, suggesting that the sofa most likely once wore a pleated skirt, an original component of the design.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eYear: \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-sheets-root=\"1\"\u003e1950s\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eMaterial: \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-sheets-root=\"1\"\u003eTurned wood, upholstered fabric\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eDimensions: W 37 ½ x D 51 x H 23 ½ in\u003c\/p\u003e","brand":"Jacqueline Sullivan Gallery","offers":[{"title":"Default Title","offer_id":50408656175350,"sku":"JSG-HF248","price":0.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0665\/9735\/5766\/files\/JSG-HF248_01.jpg?v=1777575248"},{"product_id":"fortuny-upholstered-wing-chair","title":"Upholstered Wing Chair","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-sheets-root=\"1\"\u003eBeginning in the early 18th century, English wingback chairs, or fireside chairs, became very popular domestic armchair styles. Designed to shield the sitter from drafts, their high backs, scrolled arms and curved wings wrap around the body to obstruct the cold air. This particular 19th-century example has been recently upholstered in a coral and blush Fortuny damask, imbuing the traditional chair with an expressive Italian flair.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eYear: \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-sheets-root=\"1\"\u003e19th century\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eMaterial: \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-sheets-root=\"1\"\u003eFortuny upholstery, mahogany\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eDimensions: W 34 ¾  x D 34 ¾ x H 44 x SH 18 in \u003cbr\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Jacqueline Sullivan Gallery","offers":[{"title":"Default Title","offer_id":50408721645814,"sku":"JSG-HF266","price":0.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0665\/9735\/5766\/files\/JSG-HF266_01_ed6743df-f411-45c4-9f54-eedd0fcb5bdd.jpg?v=1777576616"},{"product_id":"paint-decorated-fancy-chair-with-urn-and-columns","title":"Fancy Chair","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-sheets-root=\"1\"\u003eThis American painted side chair, made between 1800 and 1805, is a strong early example of “fancy” furniture, featuring a trompe l’oeil urn-form back framed by slender columnar supports. The design draws on a neoclassical vocabulary, with the urn as a central motif, translated through painted surface rather than carved or inlaid ornament. Gilded and painted details articulate the rails and joints, creating contrast against the dark ground and emphasizing the chair’s simple but elegant structure.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eYear: \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-sheets-root=\"1\"\u003e1800-1805\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eMaterial: \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-sheets-root=\"1\"\u003eWood, caning, paint\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eDimensions: W 18 ½ x D 16 x H 35 in x SH 17 ½ in\u003cstrong\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e","brand":"Jacqueline Sullivan Gallery","offers":[{"title":"Default Title","offer_id":50408773812470,"sku":"JSG-HF269","price":0.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0665\/9735\/5766\/files\/JSG-HF269_01.jpg?v=1777575304"},{"product_id":"agateware-cup-saucer","title":"Agateware Cup \u0026 Saucer","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-sheets-root=\"1\"\u003eAgateware, developed in 18th-century England at potteries like those of Josiah Wedgwood, is a ceramic technique in which differently colored clays are marbled together to imitate the natural patterns of agate stone. Made by blending differently colored clays together, the combined clays are then sliced, twisted, or thrown, so the colors marble through the body before the piece is shaped and fired. In this way, the pattern runs through the material itself, rather than sitting on the surface like a decorative glaze. This diminutive tea cup and matching saucer – originating in France from the 1930s – are both handsomely mixed with clays of greens, yellows, oranges, blacks, and browns. The tea cup handle is adorned with tiny and sweet floral motifs covered in a baby blue glaze.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eYear: \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-sheets-root=\"1\"\u003ec 1830\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eMaterial: Clay\u003c\/p\u003e\n\u003cp\u003eDimensions: Cup Ø 3 x H 3 in, Saucer Ø 5 ½ in \u003c\/p\u003e","brand":"Jacqueline Sullivan Gallery","offers":[{"title":"Default Title","offer_id":50408806580470,"sku":"JSG-HF270","price":0.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0665\/9735\/5766\/files\/JSG-HF270_01_51196718-9627-4123-a437-1ffee1b71f37.jpg?v=1777575363"},{"product_id":"agateware-pitcher","title":"Agateware Pitcher","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-sheets-root=\"1\"\u003eAgateware, developed in 18th-century England at potteries like those of Josiah Wedgwood, is a ceramic technique in which differently colored clays are marbled together to imitate the natural patterns of agate stone. Made by blending differently colored clays together, the combined clays are then sliced, twisted, or thrown, so the colors marble through the body before the piece is shaped and fired. In this way, the pattern runs through the material itself, rather than sitting on the surface like a decorative glaze. This French pitcher, dated around 1860, shows vertical variegated striations of earthy colors that mimic the texture of tree bark.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eYear: \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-sheets-root=\"1\"\u003ec 1860\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eMaterial: Clay\u003c\/p\u003e\n\u003cp\u003eDimensions: Ø 10 x H 7 in \u003c\/p\u003e","brand":"Jacqueline Sullivan Gallery","offers":[{"title":"Default Title","offer_id":50408863924470,"sku":"JSG-HF271","price":0.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0665\/9735\/5766\/files\/JSG-HF271_01.jpg?v=1777575380"},{"product_id":"agateware-potpurri-vessel","title":"Agateware Potpourri Vessel","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-sheets-root=\"1\"\u003eAgateware, developed in 18th-century England at potteries like those of Josiah Wedgwood, is a ceramic technique in which differently colored clays are marbled together to imitate the natural patterns of agate stone. Made by blending differently colored clays together, the combined clays are then sliced, twisted, or thrown, so the colors marble through the body before the piece is shaped and fired. This extremely rare English potpourri vessel is a notable example, which was described and illustrated in Jonathan Rickard’s, Mocha and Related Dipped Wares 1770-1939. The speckled surface is composed of tiny bits of colored clay, sprinkled onto a wet surface and then turned smooth on a lathe. The sides are decorated with speckled inlaid agate and checkered rouletting, with applied sprigged swags and bows. Perfect for holding dried flowers and fruits, spices and oils, the perforated lid allows for the scent to diffuse throughout the home.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eYear: \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-sheets-root=\"1\"\u003ec 1790\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eMaterial: Clay\u003c\/p\u003e\n\u003cp\u003eDimensions: Ø 4 ½ x H 8 ¼ in \u003c\/p\u003e","brand":"Jacqueline Sullivan Gallery","offers":[{"title":"Default Title","offer_id":50408888500470,"sku":"JSG-HF272","price":0.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0665\/9735\/5766\/files\/JSG-HF272_01.jpg?v=1777575400"},{"product_id":"agateware-teapot","title":"Agateware Teapot","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-sheets-root=\"1\"\u003eAgateware, developed in 18th-century England at potteries like those of Josiah Wedgwood, is a ceramic technique in which differently colored clays are marbled together to imitate the natural patterns of agate stone. Made by blending differently colored clays together, the combined clays are then sliced, twisted, or thrown, so the colors marble through the body before the piece is shaped and fired. In this way, the pattern runs through the material itself, rather than sitting on the surface like a decorative glaze. This 1870s French teapot, made around 1870, was made through the application of black, white, and tan glazes to create the beautifully marbled agate decoration. The bottom is stamped, “SARREGUMINES \/ FRANCE”.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eYear: \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-sheets-root=\"1\"\u003ec 1870\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eMaterial: Clay\u003c\/p\u003e\n\u003cp\u003eDimensions: W 7 ¾ x D 8 ½  H 5 ½ in \u003c\/p\u003e","brand":"Jacqueline Sullivan Gallery","offers":[{"title":"Default Title","offer_id":50408922579190,"sku":"JSG-HF273","price":0.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0665\/9735\/5766\/files\/JSG-HF273_01.jpg?v=1777575441"},{"product_id":"agateware-sugar-bowl","title":"Agateware Sugar Bowl","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-sheets-root=\"1\"\u003eAgateware, developed in 18th-century England at potteries like those of Josiah Wedgwood, is a ceramic technique in which differently colored clays are marbled together to imitate the natural patterns of agate stone. Made by blending differently colored clays together, the combined clays are then sliced, twisted, or thrown, so the colors marble through the body before the piece is shaped and fired. In this way, the pattern runs through the material itself, rather than sitting on the surface like a decorative glaze. This sugar bowl, made around 1840 in the United States, has unique scalloped shell handles that were pressed onto the bowl prior to firing in the kiln.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eYear: c 1840\u003c\/p\u003e\n\u003cp\u003eMaterial: Clay\u003c\/p\u003e\n\u003cp\u003eDimensions: Ø 5 x 3 ½ in \u003cbr\u003e\u003c\/p\u003e","brand":"Jacqueline Sullivan Gallery","offers":[{"title":"Default Title","offer_id":50408963473654,"sku":"JSG-HF274","price":0.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0665\/9735\/5766\/files\/JSG-HF274_01.jpg?v=1777575459"},{"product_id":"agateware-bowl","title":"Agateware Bowl","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-sheets-root=\"1\"\u003eAgateware, developed in 18th-century England at potteries like those of Josiah Wedgwood, is a ceramic technique in which differently colored clays are marbled together to imitate the natural patterns of agate stone. Made by blending differently colored clays together, the combined clays are then sliced, twisted, or thrown, so the colors marble through the body before the piece is shaped and fired. In this way, the pattern runs through the material itself, rather than sitting on the surface like a decorative glaze. This red earthenware bowl, made in France around 1840, has an attractive molded rounded foot and a deep recessed base. A wide cream-colored band was applied to the side after molding, then black, white, and tan glazes were applied, creating a beautifully marbled agate decoration.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eYear: c 1840\u003c\/p\u003e\n\u003cp\u003eMaterial: Clay\u003cmeta charset=\"utf-8\"\u003e\u003c\/p\u003e\n\u003cp\u003eDimensions: Ø 6 x H 3 ¾ in \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Jacqueline Sullivan Gallery","offers":[{"title":"Default Title","offer_id":50409004335350,"sku":"JSG-HF275","price":0.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0665\/9735\/5766\/files\/JSG-HF275_01.jpg?v=1777575478"},{"product_id":"paint-decorated-chair","title":"Paint-Decorated Chair","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-sheets-root=\"1\"\u003eThis green painted chair, reminiscent of a Hitchcock chair, features stenciled floral motifs with black and gold accents. The back is defined by a simple crest rail and vertical supports, while the seat and rails carry more a delicate painted decoration. Turned legs and stretchers provide structure. The use of stenciling adds ornament efficiently, creating contrast against the sage ground while maintaining a humble and functional form.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eYear: \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-sheets-root=\"1\"\u003eEarly 20th century\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eMaterial: \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-sheets-root=\"1\"\u003eWood, paint \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003c\/p\u003e\n\u003cp\u003eDimensions: W 19 ¼ x D 15 x H 30 ¾ x SH 17 in \u003cbr\u003e\u003c\/p\u003e","brand":"Jacqueline Sullivan Gallery","offers":[{"title":"Default Title","offer_id":50409120170230,"sku":"JSG-HF276","price":0.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0665\/9735\/5766\/files\/JSG-HF276_01.jpg?v=1777575507"},{"product_id":"painted-deck-top-dressing-table","title":"Painted Dressing Table","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-sheets-root=\"1\"\u003eThe “Fancy furniture” style emerged in the United States in the early 19th-century, particularly in cities like Baltimore, where cabinetmakers produced boldly painted, stenciled, and gilded pieces that offered a vibrant and more affordable alternative to high-end neoclassical furniture. This 19th century American dressing table offers a clear example of stenciling as a quick and efficient method for producing decoration. Stenciling allowed makers to repeat complex designs with speed and consistency, while still providing a sense of embellished ornament.The large drawer is ornamented with stenciled leaf and grape motifs on either side, along with loose, gestural swirls suggesting vines.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eYear: \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-sheets-root=\"1\"\u003e19th century\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eMaterial: \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-sheets-root=\"1\"\u003eWood, paint \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003c\/p\u003e\n\u003cp\u003eDimensions: W 34 x D 17 ½ x H 36 in\u003cbr\u003e\u003c\/p\u003e","brand":"Jacqueline Sullivan Gallery","offers":[{"title":"Default Title","offer_id":50409152905462,"sku":"JSG-HF277","price":0.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0665\/9735\/5766\/files\/JSG-HF277_01.jpg?v=1777575536"},{"product_id":"long-painted-box","title":"Long Painted Box","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-sheets-root=\"1\"\u003eThis vibrantly painted chest, made in the United States in the late 19th century, features three interior compartments beneath a lift-top lid. Notably elongated in form, the exterior is finished in a bright lapis lazuli blue ground, decorated with its date – 1878 – as well as polychrome floral motifs. Its sheer scale and compartmentalized interior suggest it functioned as a blanket chest, or even a wedding chest for the storage of ceremonial linens and textiles.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eYear: \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-sheets-root=\"1\"\u003e18th century \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eMaterial: \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-sheets-root=\"1\"\u003eWood, paint \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003c\/p\u003e\n\u003cp\u003eDimensions: W 94 x D 17 x H 18 in \u003cbr\u003e\u003c\/p\u003e","brand":"Jacqueline Sullivan Gallery","offers":[{"title":"Default Title","offer_id":50409195110646,"sku":"JSG-HF278","price":0.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0665\/9735\/5766\/files\/JSG-HF278_01.jpg?v=1777575552"},{"product_id":"paint-decorated-one-drawer-stand","title":"Paint-Decorated One Drawer Stand","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-sheets-root=\"1\"\u003eThe “Fancy furniture” style emerged in the United States in the early 19th-century, particularly in cities like Baltimore, where cabinetmakers produced boldly painted, stenciled, and gilded pieces that offered a vibrant and more affordable alternative to high-end neoclassical furniture. This side table is finished with faux wood graining, a decorative technique used to emulate more expensive woods such as mahogany or walnut. The carefully painted surface creates a convincing trompe l’oeil effect, suggesting depth and figured grain while elevating the perceived value of the piece. The treatment extends seamlessly across all sides, reinforcing the impression of solid wood construction. The table also discreetly incorporates a concealed drawer.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eYear: \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-sheets-root=\"1\"\u003e19th century\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eMaterial: \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-sheets-root=\"1\"\u003eWood, paint \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003c\/p\u003e\n\u003cp\u003eDimensions: W 20 x D 19 x H 28 in \u003cbr\u003e\u003c\/p\u003e","brand":"Jacqueline Sullivan Gallery","offers":[{"title":"Default Title","offer_id":50409221652726,"sku":"JSG-HF279","price":0.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0665\/9735\/5766\/files\/JSG-HF279_01.jpg?v=1777575576"},{"product_id":"painted-childs-armchairs","title":"Painted Child's Armchair","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-sheets-root=\"1\"\u003eThis 19th-century child’s chair is from Pennsylvania, but is quite reminiscent of Tyrolean furniture from the Alps. The form itself is simple, as straight arms and square supports establish a clear, utilitarian structure. Layered color and floral pattern animate the surface, giving an almost textile-like quality to a miniature piece of furniture. The combination of simple, sturdy construction and lively decoration reflects an interest in bringing ornament and color into even the most functional, everyday forms.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eYear: \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-sheets-root=\"1\"\u003e19th century\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eMaterial: \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-sheets-root=\"1\"\u003ePine Wood, paint\u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003c\/p\u003e\n\u003cp\u003eDimensions: W 16 ½ x D 13 ½ x H 23 ½ x SH 11 ¼ in\u003cbr\u003e\u003c\/p\u003e","brand":"Jacqueline Sullivan Gallery","offers":[{"title":"Default Title","offer_id":50409231024374,"sku":"JSG-HF280","price":0.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0665\/9735\/5766\/files\/JSG-HF280_01.jpg?v=1777575605"},{"product_id":"toile-floral-fire-screen","title":"Toile Floral Fire Screen","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-sheets-root=\"1\"\u003eThis tole fireplace screen features a painted basket overflowing with flowers. The composition includes layered blooms in primary colors like yellow, red, and cream, set against dark green foliage. The basket is rendered with a woven pattern and additional floral detail. Painted on metal, the surface combines durability with decoration. Firescreens were used to shield occupants from heat and sparks when a fire was lit, and to conceal the empty hearth when not in use. The design creates a bright focal point while serving the practical function of covering the fireplace opening.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eYear: \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-sheets-root=\"1\"\u003e19th century\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eMaterial: \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-sheets-root=\"1\"\u003eMetal, paint\u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003c\/p\u003e\n\u003cp\u003eDimensions: W 24 x D ½ x H 24 in \u003c\/p\u003e","brand":"Jacqueline Sullivan Gallery","offers":[{"title":"Default Title","offer_id":50409268838646,"sku":"JSG-HF281","price":0.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0665\/9735\/5766\/files\/JSG-HF281_01.jpg?v=1777575625"},{"product_id":"swedish-art-deco-silver-plated-chandelier","title":"Swedish Art Deco Chandelier","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-sheets-root=\"1\"\u003eAtelier Torndahl was a Swedish lighting firm based in Perstorp, active in the early 20th century. Under the artistic direction of Per Torndahl in the 1920s, the workshop produced metal and glass lighting in the Swedish Grace style, often combining classical references with simplified, modern forms. This chandelier by Atelier Torndahl features a central spherical body in a patinated hammered silvered finish, with three curved arms supporting ivory glass shades. The form is balanced and restrained, with soft, smooth lines and a clean composition.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eYear: \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-sheets-root=\"1\"\u003ec 1920-30s\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eMaterial: \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-sheets-root=\"1\"\u003eSilver plated brass, glass, electrical components\u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003c\/p\u003e\n\u003cp\u003eDimensions: Ø 26 x H 23 in, Ø 7.5 in (each glass shade), H 70 in (chain to canopy)\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Jacqueline Sullivan Gallery","offers":[{"title":"Default Title","offer_id":50409281257718,"sku":"JSG-HF282","price":0.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0665\/9735\/5766\/files\/JSG-HF282_01.jpg?v=1777575661"},{"product_id":"teapot-1","title":"Teapot","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-sheets-root=\"1\"\u003eYixing teapots are traditional Chinese stoneware pots from Jiangsu province, left unglazed so the porous clay absorbs and gradually enhances the flavor of the tea (usually oolong and puer). This particular example uses Zi Ni (purple clay) and Zhu Ni (red clay), to produce a subtle marbled, wood-grained effect. Yixing teapots are traditionally formed from dense clay slabs, then shaped using molds or paddling tools. This teapot combines slab construction with mixed clays in a precise and controlled, hand-built form. The underside of the lid is marked, “Xu from Jingxi – presumably the name of the potter’s family.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eYear: \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-sheets-root=\"1\"\u003e1950s-1970s\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eMaterial: Clay\u003c\/p\u003e\n\u003cp\u003eDimensions: W 6 ¼ x D 3 x H 5 in \u003cbr\u003e\u003c\/p\u003e","brand":"Jacqueline Sullivan Gallery","offers":[{"title":"Default Title","offer_id":50409290563830,"sku":"JSG-HF283","price":0.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0665\/9735\/5766\/files\/JSG-HF283_01.jpg?v=1777575678"},{"product_id":"painted-tole-umbrella-stand","title":"Painted Tole Umbrella Stand","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-sheets-root=\"1\"\u003eThis English red-painted tole umbrella stand, dating to around 1900, is a strong example of both durable and decorative metalwork. Finished in a fire-engine red, the surface is ornamented with gilt griffins and a Greek Key border, combining mythological imagery with classical patterning. The stand rests on curved feet and is topped with small gilt finials. Both practical and decorative, the piece would have been used to store umbrellas and walking sticks.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eYear: \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-sheets-root=\"1\"\u003eEarly 20th century\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eMaterial: \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-sheets-root=\"1\"\u003eTole, gilt, paint\u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003c\/p\u003e\n\u003cp\u003eDimensions: W 32 x D 12 ½ x H 33 in \u003cbr\u003e\u003c\/p\u003e","brand":"Jacqueline Sullivan Gallery","offers":[{"title":"Default Title","offer_id":50409306685686,"sku":"JSG-HF284","price":0.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0665\/9735\/5766\/files\/JSG-HF284_01.jpg?v=1777575694"},{"product_id":"childs-hitchcock-chair","title":"Child's Hitchcock Chair","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-sheets-root=\"1\"\u003eLambert Hitchcock was an early 19th-century American furniture maker who popularized affordable, mass-produced \"Hitchcock Furniture”, composed of stenciled motifs with gilt decoration on dark-painted surfaces. He is widely recognized for making fashionable design accessible to a broader middle-class market. This 19th-century child’s chair by Lambert Hitchcock is finished in black with classical and flourishing gold stenciled vine and grape motifs, a hallmark of Hitchcock’s production. Stenciling of this kind allowed for repeated ornamentation while maintaining efficiency in manufacture. The chair’s scale suggests that Hitchcock insisted upon designing for everyone (both large and small), and its worn patina reflects years of consistent use.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eYear: \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-sheets-root=\"1\"\u003e19th century\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eMaterial: \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-sheets-root=\"1\"\u003eWood, paint \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003c\/p\u003e\n\u003cp\u003eDimensions: W 17 x D 12 ½ x H 21 ½ x SH 13 in \u003cbr\u003e\u003c\/p\u003e","brand":"Jacqueline Sullivan Gallery","offers":[{"title":"Default Title","offer_id":50409316876534,"sku":"JSG-HF285","price":0.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0665\/9735\/5766\/files\/JSG-HF285_01.jpg?v=1777575712"},{"product_id":"savonarola-chair","title":"Savonarola Chair","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-sheets-root=\"1\"\u003eOscar Bruno Bach was a 20th century German-born metalsmith, whose work ranged from tabletop objects and furniture to large architectural commissions, including decorative elements at Radio City Music Hall. His Savonarola chair takes its name from its crisscross legs that form an “X”, a structure that traditionally allowed the chair to fold. While earlier examples were made of wood, this version reflects Bach’s impressive skill in metalwork design. The back features a detailed portrait, possibly of a knight, alongside refined scrollwork. The chair also includes a brightly colored and patterned upholstered seat cushion (perhaps original). \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eYear: \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-sheets-root=\"1\"\u003eEarly 20th century\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eMaterial: \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-sheets-root=\"1\"\u003eBrass, painted steel, upholstered cushion\u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003c\/p\u003e\n\u003cp\u003eDimensions: W 20 x D 18 ½ x H 38 ¾ x SH 18 in \u003cbr\u003e\u003c\/p\u003e","brand":"Jacqueline Sullivan Gallery","offers":[{"title":"Default Title","offer_id":50409327821046,"sku":"JSG-HF286","price":0.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0665\/9735\/5766\/files\/JSG-HF286_01.jpg?v=1777575730"},{"product_id":"neoclassical-settee","title":"Neoclassical Settee","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-sheets-root=\"1\"\u003eThis early 20th century bone-colored settee features a lattice back with painted palmette and acanthus leaf motifs in faded crimson. The seat is made of fragile caning which has been reinforced with an underlying layer of wood. The seat cushion (most likely made in the late 20th century) is upholstered with a pink botanical tulip pattern, and the cushion’s bottom, cord and ties are finished in a classic green and white ticking stripe. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eYear: \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-sheets-root=\"1\"\u003eEarly 20th century\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eMaterial: \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-sheets-root=\"1\"\u003ePainted wood, cane, upholstery\u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003c\/p\u003e\n\u003cp\u003eDimensions: W 70 ½ x D 24 x H 30 ½ x SH 14 ½ in \u003cbr\u003e\u003c\/p\u003e","brand":"Jacqueline Sullivan Gallery","offers":[{"title":"Default Title","offer_id":50409343123702,"sku":"JSG-HF287","price":0.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0665\/9735\/5766\/files\/JSG-HF287_01.jpg?v=1777575757"},{"product_id":"painted-tole-and-brass-chandelier","title":"Painted Tole and Brass Chandelier","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-sheets-root=\"1\"\u003eMade in the 1930s, this Italian tole and brass chandelier features a rich reddish ground with gilt accents. The central bowl is painted with foliate motifs, including acanthus leaves and acorn forms, drawn from classical decorative ornament. From this core, scrolling arms extend outward in a branching arrangement that supports candle-style lights fitted with red shades trimmed in gold. Above, curved uprights rise in a restrained neoclassical rhythm, demonstrating a precision and restraint that is unusual for the more flamboyant style of Italian 20th century design.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eYear: \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-sheets-root=\"1\"\u003ec 1930s\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eMaterial: \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-sheets-root=\"1\"\u003eBrass, tole, gold leaf, paint\u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003c\/p\u003e\n\u003cp\u003eDimensions: Ø 34 x H 35 in \u003cbr\u003e\u003c\/p\u003e","brand":"Jacqueline Sullivan Gallery","offers":[{"title":"Default Title","offer_id":50409355182326,"sku":"JSG-HF288","price":0.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0665\/9735\/5766\/files\/JSG-HF288_01_4f7ba7d4-c6bd-4fe6-8dd5-6636ff931ff8.jpg?v=1777575811"},{"product_id":"george-iii-style-painted-satinwood-demi-lune-credenza","title":"George III Demi-Lune Credenza","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-sheets-root=\"1\"\u003eThe George III period (mid-to-late 18th century) is broadly characterized by neoclassical restraint, symmetrical composition, and ornament derived from antiquity, often executed in finely figured veneers and refined decorative inlay. This late 19th-century French demi-lune credenza, conceived in the George III taste, combines polychrome painting with satinwood inlay. The curved top is centered by a rosette and framed with ribbon-tied berried vines, and the frieze is enriched with swagged husks and more rosettes. Tapered square legs complete the form with a measured sense of proportion. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eYear: \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-sheets-root=\"1\"\u003e19th century\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eMaterial: \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-sheets-root=\"1\"\u003eBrass, stainwood, wood \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003c\/p\u003e\n\u003cp\u003eDimensions: W 75 x D 22 x H 36 in \u003cbr\u003e\u003c\/p\u003e","brand":"Jacqueline Sullivan Gallery","offers":[{"title":"Default Title","offer_id":50409369010422,"sku":"JSG-HF289","price":0.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0665\/9735\/5766\/files\/JSG-HF289_01.jpg?v=1777575851"},{"product_id":"circular-latch-hook-mat","title":"Circular Latch Hook Mat","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-sheets-root=\"1\"\u003eThis early 20th-century New England textile features a freehand, undulating field of color within a single black border. Painterly tones of oranges, blues, cream, and red create a fluid composition. The surface has a textured, dimensional clipped pile on a traditional burlap ground, likely made from salvaged wool. The piece is in excellent condition with one old repair.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eYear: \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-sheets-root=\"1\"\u003eEarly 1900s\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eMaterial: \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-sheets-root=\"1\"\u003eWool, burlap \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eDimensions: Ø 32 in \u003c\/p\u003e","brand":"Jacqueline Sullivan Gallery","offers":[{"title":"Default Title","offer_id":50409380610294,"sku":"JSG-HF290","price":0.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0665\/9735\/5766\/files\/JSG-HF290_01.jpg?v=1777575883"},{"product_id":"american-hooked-runner","title":"American Hooked Runner","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-sheets-root=\"1\"\u003eThis c. 1940 New England textile features a borderless, variegated design made from solid and patterned wool scraps. Bright tones of yellows, pinks, and greens create a lively surface. The piece has a lofty looped pile on a burlap backing. It is heavy and flat, with a flexible yet sturdy structure suited for either wall display or floor use.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eYear: \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-sheets-root=\"1\"\u003e1940s \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eMaterial: \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-sheets-root=\"1\"\u003eWool, burlap\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eDimensions: W 111 x D 31 in \u003cbr\u003e\u003c\/p\u003e","brand":"Jacqueline Sullivan Gallery","offers":[{"title":"Default Title","offer_id":50409420390646,"sku":"JSG-HF291","price":0.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0665\/9735\/5766\/files\/JSG-HF291_01.jpg?v=1777575898"},{"product_id":"double-braided-rug","title":"Double Braided Rug","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-sheets-root=\"1\"\u003eThis early 20th-century New England rug, found in Maine, features a bold, graphic composition that creates the illusion of two rugs within one. It is made from a single continuous three-strand braid, densely worked and fully hand-laced with commercial cotton cord. Constructed entirely of wool, it uses settled aniline dyes in tones of pine, pewter, emerald, espresso, and apple. The surface is firm and flat, with light abrasion consistent with use.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eYear: \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-sheets-root=\"1\"\u003eEarly 20th c\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eMaterial: \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-sheets-root=\"1\"\u003eWool, cotton \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eDimensions: W 74 x D 39 ½ in \u003cbr\u003e\u003c\/p\u003e","brand":"Jacqueline Sullivan Gallery","offers":[{"title":"Default Title","offer_id":50409452372214,"sku":"JSG-HF292","price":0.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0665\/9735\/5766\/files\/JSG-HF292_01.jpg?v=1777575914"},{"product_id":"silk-crocheted-mat","title":"Silk Crocheted Mat","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-sheets-root=\"1\"\u003eThis c. 1960s American textile is composed of finely crocheted rings of silk jersey. The material has sun-faded to soft tones of lavender, sage, sand, and husk, with a single black accent. The surface has a supple hand and a slight sheen. Lightweight and flexible, it drapes easily. In very good condition, it is well suited for decorative use on a tabletop.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eYear: \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-sheets-root=\"1\"\u003e1960s \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eMaterial: Silk\u003c\/p\u003e\n\u003cp\u003eDimensions: Ø 12 ½ in \u003cbr\u003e\u003c\/p\u003e","brand":"Jacqueline Sullivan Gallery","offers":[{"title":"Default Title","offer_id":50409490776310,"sku":"JSG-HF293","price":0.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0665\/9735\/5766\/files\/JSG-HF293_01.jpg?v=1777575929"},{"product_id":"polish-tapestry-rug","title":"Polish Tapestry Rug","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-sheets-root=\"1\"\u003eThis early 20th-century Polish kilim, attributed to Wanda Kossecka, reflects a traditional workshop practice. The design shows a field of wildflowers set against a gold ground, with a clear palette of lavender, fuchsia, ochre, and green. It is woven in a single-ply, hand-spun wool tapestry weave on a waxed linen warp. The structure is dense and sturdy, with light fraying at the fringe. Suitable for the floor, it also works well as a wall piece.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eYear: \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-sheets-root=\"1\"\u003eEarly 1900s\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eMaterial: \u003cspan data-sheets-root=\"1\"\u003eWool, linen\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eDimensions: W 93 x D 77 in \u003cbr\u003e\u003c\/p\u003e","brand":"Jacqueline Sullivan Gallery","offers":[{"title":"Default Title","offer_id":50409533636854,"sku":"JSG-HF294","price":0.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0665\/9735\/5766\/files\/JSG-HF294_01.jpg?v=1777575946"},{"product_id":"feedsack-quilt","title":"Feedsack Quilt","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-sheets-root=\"1\"\u003eThis quilt features a strong graphic field of diamond shapes forming a lattice over a soft sandy ground, now without its original border. It is made from feed sack cotton and backed with a homespun stripe. Chrome orange dye, common in late 19th-century textiles, adds contrast. Hand pieced and quilted, dense linear stitching follows the diagonal grid. There is some wear and sun fading, consistent with age. Suitable for bed or wall display.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eYear: \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-sheets-root=\"1\"\u003ec. 1880–1895\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eMaterial: \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-sheets-root=\"1\"\u003eCotton \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eDimensions: W 68 x D 76 in \u003cbr\u003e\u003c\/p\u003e","brand":"Jacqueline Sullivan Gallery","offers":[{"title":"Default Title","offer_id":50409580921078,"sku":"JSG-HF295","price":0.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0665\/9735\/5766\/files\/JSG-HF295_01.jpg?v=1777575963"},{"product_id":"renaissance-style-painted-and-parcel-gilt-column-fragment","title":"Painted and Parcel-Gilt Column Fragment","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-sheets-root=\"1\"\u003eThis painted column features a tall, fluted shaft with vertical bands of color set against a gilt ground. The surface is decorated with polychrome floral and foliate motifs, creating a rich, layered effect. The capital and base are similarly ornamented and its decorative form draws on classical architectural elements. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eYear: \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-sheets-root=\"1\"\u003e19th Century\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eMaterial: \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-sheets-root=\"1\"\u003eWood, paint, gilt \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eDimensions: W 7 ¼ x D 1  H 26 ½ in \u003cbr\u003e\u003c\/p\u003e","brand":"Jacqueline Sullivan Gallery","offers":[{"title":"Default Title","offer_id":50409624797430,"sku":"JSG-HF296","price":0.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0665\/9735\/5766\/files\/JSG-HF296_01.jpg?v=1777575982"},{"product_id":"quatrefoil-upholstered-ottoman","title":"Quatrefoil Upholstered Ottoman","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-sheets-root=\"1\"\u003eThis very oversized quatrefoil-shaped ottoman is upholstered in a floral jacquard fabric with a dense, repeating pattern. Red cording outlines the seams, emphasizing the curved form and segmented construction. The low, rounded profile and continuous upholstery create a soft, unified surface, while the bold pattern and trim add contrast and definition. The ottoman rests on wheels for flexibility and ease of use.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eYear: \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-sheets-root=\"1\"\u003eEarly 20th Century\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eMaterial: \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-sheets-root=\"1\"\u003eFabric, piping, foam, casters\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eDimensions: W 42 x D 42 x H 18 in \u003cbr\u003e\u003c\/p\u003e","brand":"Jacqueline Sullivan Gallery","offers":[{"title":"Default Title","offer_id":50409672540406,"sku":"JSG-HF299","price":0.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0665\/9735\/5766\/files\/JSG-HF299_01.jpg?v=1777576007"},{"product_id":"continental-carved-and-polychrome-painted-and-parcel-gilt-model-of-a-flowering-urn","title":"Model of a Flowering Urn","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-sheets-root=\"1\"\u003eThis carved wooden ornament features an openwork design of interlaced leaves and flowers arranged in a symmetrical, tree like form. The pierced surface creates depth and shadow, while the dense foliate pattern suggests growth and movement. It rests on a turned and painted base, which adds contrast to the natural wood above. The piece functions as a decorative object, combining carving with a strong vertical silhouette.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eYear: \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-sheets-root=\"1\"\u003e19th Century\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eMaterial: \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-sheets-root=\"1\"\u003eWood, paint, gilt \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eDimensions: W 13 x D 5 x H 27 ½ in\u003cbr\u003e\u003c\/p\u003e","brand":"Jacqueline Sullivan Gallery","offers":[{"title":"Default Title","offer_id":50409717006582,"sku":"JSG-HF300","price":0.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0665\/9735\/5766\/files\/JSG-HF300_01.jpg?v=1777576026"},{"product_id":"jasmine-lamp-small","title":"Jasmine Lamp (Small)","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-sheets-root=\"1\"\u003eThe Paisley Lamp is part of artist Gordon Moore’s ongoing exploration of lighting as both functional object and sculptural form within the home. The design draws on the paisley motif, long associated with woven textiles and decorative patterning, as well as the looping rhythms of vine growth. In his interpretation, these references are translated onto stoneware through layers of hand-painted slip, allowing the pattern to flow continuously across the faceted geometry of the vessel.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-root=\"1\"\u003eEach lamp is wheel-thrown and assembled in stoneware before it is finished with porcelain slip and the signature Paisley pattern. For this exhibition, the lamps are presented in a custom blue palette developed exclusively for Jacqueline Sullivan Gallery, referencing painted furniture traditions and decorative surfaces of early American “Fancy” style.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eYear: 2026\u003cmeta charset=\"utf-8\"\u003e\u003c\/p\u003e\n\u003cp\u003eMaterial: \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-sheets-root=\"1\"\u003eStoneware, porcelain, nickle-plated hardware\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eDimensions: Ø 10 x H 12 in \u003cbr\u003e\u003c\/p\u003e","brand":"Jacqueline Sullivan Gallery","offers":[{"title":"Default Title","offer_id":50409825239286,"sku":"JSG-GM001","price":0.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0665\/9735\/5766\/files\/JSG-GM001_01.jpg?v=1777576053"},{"product_id":"paisley-lamp-medium","title":"Paisley Lamp (Medium)","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-sheets-root=\"1\"\u003eThe Paisley Lamp is part of artist Gordon Moore’s ongoing exploration of lighting as both functional object and sculptural form within the home. The design draws on the paisley motif, long associated with woven textiles and decorative patterning, as well as the looping rhythms of vine growth. In his interpretation, these references are translated onto stoneware through layers of hand-painted slip, allowing the pattern to flow continuously across the faceted geometry of the vessel.\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-root=\"1\"\u003eEach lamp is wheel-thrown and assembled in stoneware before it is finished with porcelain slip and the signature Paisley pattern. For this exhibition, the lamps are presented in a custom blue palette developed exclusively for Jacqueline Sullivan Gallery, referencing painted furniture traditions and decorative surfaces of early American “Fancy” style.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eYear: 2026\u003cmeta charset=\"utf-8\"\u003e\u003c\/p\u003e\n\u003cp\u003eMaterial: \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-sheets-root=\"1\"\u003eStoneware, porcelain, nickle-plated hardware\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eDimensions: \u003cspan\u003eØ 13 x H 17 ½ in \u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Jacqueline Sullivan Gallery","offers":[{"title":"Default Title","offer_id":50409837396214,"sku":"JSG-GM002","price":0.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0665\/9735\/5766\/files\/JSG-GM002_01.jpg?v=1777576187"},{"product_id":"paisley-lamp-large","title":"Paisley Lamp (Large)","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-sheets-root=\"1\"\u003eThe Paisley Lamp is part of artist Gordon Moore’s ongoing exploration of lighting as both functional object and sculptural form within the home. The design draws on the paisley motif, long associated with woven textiles and decorative patterning, as well as the looping rhythms of vine growth. In his interpretation, these references are translated onto stoneware through layers of hand-painted slip, allowing the pattern to flow continuously across the faceted geometry of the vessel.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-root=\"1\"\u003eEach lamp is wheel-thrown and assembled in stoneware before it is finished with porcelain slip and the signature Paisley pattern. For this exhibition, the lamps are presented in a custom blue palette developed exclusively for Jacqueline Sullivan Gallery, referencing painted furniture traditions and decorative surfaces of early American “Fancy” style.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eYear: \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e2026\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eMaterial: \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-sheets-root=\"1\"\u003eStoneware, porcelain, nickle-plated hardware\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eDimensions: Ø 16 x H 22 in \u003c\/p\u003e","brand":"Jacqueline Sullivan Gallery","offers":[{"title":"Default Title","offer_id":50409866756342,"sku":"JSG-GM003","price":0.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0665\/9735\/5766\/files\/JSG-GM003_01.jpg?v=1777576208"},{"product_id":"jasmine-lamp-small-porcelain","title":"Jasmine Lamp (Small, Porcelain)","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-sheets-root=\"1\"\u003eThe Paisley Lamp is part of artist Gordon Moore’s ongoing exploration of lighting as both functional object and sculptural form within the home. The design draws on the paisley motif, long associated with woven textiles and decorative patterning, as well as the looping rhythms of vine growth. In his interpretation, these references are translated onto stoneware through layers of hand-painted slip, allowing the pattern to flow continuously across the faceted geometry of the vessel.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-root=\"1\"\u003eEach lamp is wheel-thrown and assembled in stoneware before it is finished with porcelain slip and the signature Paisley pattern. For this exhibition, the lamps are presented in a custom blue palette developed exclusively for Jacqueline Sullivan Gallery, referencing painted furniture traditions and decorative surfaces of early American “Fancy” style.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eYear: \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e2026\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eMaterial:\u003cspan data-sheets-root=\"1\"\u003e Porcelain, nickle-plated hardware\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eDimensions: Ø 10 x H 12 in \u003c\/p\u003e","brand":"Jacqueline Sullivan Gallery","offers":[{"title":"Default Title","offer_id":50409895821558,"sku":"JSG-GM004","price":0.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0665\/9735\/5766\/files\/JSG-GM004_01.jpg?v=1777576258"},{"product_id":"bag-ship","title":"Bag Ship. Slab Vessel.","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-sheets-root=\"1\"\u003eKatie Stout (b. 1989, Portland, ME; lives and works in Hudson, NY) creates sculptural works that merge furniture, craft, and feminist critique into a playful and provocative visual language. Working across ceramic, textile, glass, and bronze, she reinterprets historical decorative forms through techniques such as hand-building, weaving, and casting. Her work explores domestic aesthetics with irreverence and humor, often blurring the line between art and function while challenging traditional ideas of beauty, gender, and taste. Stout received a BFA in Furniture Design from the Rhode Island School of Design. Her work has been exhibited at Nina Johnson Gallery, Miami, FL; Jeffrey Deitch Gallery, Los Angeles, CA; R \u0026amp;amp; Company, New York, NY; and Design Miami. Group exhibitions include the Whitney Museum of American Art, New York, NY; Dallas Museum of Art, Dallas, TX; and the Museum of Arts and Design, New York, NY.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eYear: \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e2023\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eMaterial: \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-sheets-root=\"1\"\u003eGlazed, lustered ceramic\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eDimensions: W 9 x D 6 x H 22 in \u003cbr\u003e\u003c\/p\u003e","brand":"Jacqueline Sullivan Gallery","offers":[{"title":"Default Title","offer_id":50409937928438,"sku":"JSG-KS001","price":0.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0665\/9735\/5766\/files\/JSG-KS001_01.jpg?v=1777576279"},{"product_id":"green-slab-vase","title":"Green Slab Vase","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-sheets-root=\"1\"\u003eKatie Stout (b. 1989, Portland, ME; lives and works in Hudson, NY) creates sculptural works that merge furniture, craft, and feminist critique into a playful and provocative visual language. Working across ceramic, textile, glass, and bronze, she reinterprets historical decorative forms through techniques such as hand-building, weaving, and casting. Her work explores domestic aesthetics with irreverence and humor, often blurring the line between art and function while challenging traditional ideas of beauty, gender, and taste. Stout received a BFA in Furniture Design from the Rhode Island School of Design. Her work has been exhibited at Nina Johnson Gallery, Miami, FL; Jeffrey Deitch Gallery, Los Angeles, CA; R \u0026amp;amp; Company, New York, NY; and Design Miami. Group exhibitions include the Whitney Museum of American Art, New York, NY; Dallas Museum of Art, Dallas, TX; and the Museum of Arts and Design, New York, NY.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eYear: \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e2020\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eMaterial: \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-sheets-root=\"1\"\u003eClay, mason stain, glaze, gold luster\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eDimensions: W 12 x D 7 x H 23 in \u003cbr\u003e\u003c\/p\u003e","brand":"Jacqueline Sullivan Gallery","offers":[{"title":"Default Title","offer_id":50410003562742,"sku":"JSG-KS002","price":0.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0665\/9735\/5766\/files\/JSG-KS002_01.jpg?v=1777576336"},{"product_id":"green-frances","title":"Green Frances. Slab Vessel.","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-sheets-root=\"1\"\u003eKatie Stout (b. 1989, Portland, ME; lives and works in Hudson, NY) creates sculptural works that merge furniture, craft, and feminist critique into a playful and provocative visual language. Working across ceramic, textile, glass, and bronze, she reinterprets historical decorative forms through techniques such as hand-building, weaving, and casting. Her work explores domestic aesthetics with irreverence and humor, often blurring the line between art and function while challenging traditional ideas of beauty, gender, and taste. Stout received a BFA in Furniture Design from the Rhode Island School of Design. Her work has been exhibited at Nina Johnson Gallery, Miami, FL; Jeffrey Deitch Gallery, Los Angeles, CA; R \u0026amp;amp; Company, New York, NY; and Design Miami. Group exhibitions include the Whitney Museum of American Art, New York, NY; Dallas Museum of Art, Dallas, TX; and the Museum of Arts and Design, New York, NY.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eYear: \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e2020\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eMaterial: \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-sheets-root=\"1\"\u003eClay, mason stain, glaze, gold luster\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eDimensions: Ø 12 x H 21 in \u003c\/p\u003e","brand":"Jacqueline Sullivan Gallery","offers":[{"title":"Default Title","offer_id":50410055205110,"sku":"JSG-KS003","price":0.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0665\/9735\/5766\/files\/JSG-KS003_01.jpg?v=1777576358"},{"product_id":"small-mirror-work-info-tbd","title":"Small Mirror","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-sheets-root=\"1\"\u003eKatie Stout (b. 1989, Portland, ME; lives and works in Hudson, NY) creates sculptural works that merge furniture, craft, and feminist critique into a playful and provocative visual language. Working across ceramic, textile, glass, and bronze, she reinterprets historical decorative forms through techniques such as hand-building, weaving, and casting. Her work explores domestic aesthetics with irreverence and humor, often blurring the line between art and function while challenging traditional ideas of beauty, gender, and taste. Stout received a BFA in Furniture Design from the Rhode Island School of Design. Her work has been exhibited at Nina Johnson Gallery, Miami, FL; Jeffrey Deitch Gallery, Los Angeles, CA; R \u0026amp;amp; Company, New York, NY; and Design Miami. Group exhibitions include the Whitney Museum of American Art, New York, NY; Dallas Museum of Art, Dallas, TX; and the Museum of Arts and Design, New York, NY.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eYear: 2026\u003cmeta charset=\"utf-8\"\u003e\u003c\/p\u003e\n\u003cp\u003eMaterial: \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-sheets-root=\"1\"\u003eCeramic, glaze\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eDimensions: \u003cspan\u003eW 10 x D 5 ½ x H 12 in \u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Jacqueline Sullivan Gallery","offers":[{"title":"Default Title","offer_id":50410085056758,"sku":"JSG-KS004","price":0.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0665\/9735\/5766\/files\/JSG-KS004_01.jpg?v=1777576404"},{"product_id":"medium-mirror-work-info-tbd","title":"Medium Mirror","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-sheets-root=\"1\"\u003eKatie Stout (b. 1989, Portland, ME; lives and works in Hudson, NY) creates sculptural works that merge furniture, craft, and feminist critique into a playful and provocative visual language. Working across ceramic, textile, glass, and bronze, she reinterprets historical decorative forms through techniques such as hand-building, weaving, and casting. Her work explores domestic aesthetics with irreverence and humor, often blurring the line between art and function while challenging traditional ideas of beauty, gender, and taste. Stout received a BFA in Furniture Design from the Rhode Island School of Design. Her work has been exhibited at Nina Johnson Gallery, Miami, FL; Jeffrey Deitch Gallery, Los Angeles, CA; R \u0026amp;amp; Company, New York, NY; and Design Miami. Group exhibitions include the Whitney Museum of American Art, New York, NY; Dallas Museum of Art, Dallas, TX; and the Museum of Arts and Design, New York, NY.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eYear: 2026\u003cmeta charset=\"utf-8\"\u003e\u003c\/p\u003e\n\u003cp\u003eMaterial: \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-sheets-root=\"1\"\u003eCeramic, glaze\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eDimensions: 14 ½ x D 4 x H 19 ½ in \u003c\/p\u003e","brand":"Jacqueline Sullivan Gallery","offers":[{"title":"Default Title","offer_id":50410127491318,"sku":"JSG-KS005","price":0.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0665\/9735\/5766\/files\/JSG-KS005_01.jpg?v=1777576464"},{"product_id":"large-mirror-work-info-tbd","title":"Large Mirror","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-sheets-root=\"1\"\u003eKatie Stout (b. 1989, Portland, ME; lives and works in Hudson, NY) creates sculptural works that merge furniture, craft, and feminist critique into a playful and provocative visual language. Working across ceramic, textile, glass, and bronze, she reinterprets historical decorative forms through techniques such as hand-building, weaving, and casting. Her work explores domestic aesthetics with irreverence and humor, often blurring the line between art and function while challenging traditional ideas of beauty, gender, and taste. Stout received a BFA in Furniture Design from the Rhode Island School of Design. Her work has been exhibited at Nina Johnson Gallery, Miami, FL; Jeffrey Deitch Gallery, Los Angeles, CA; R \u0026amp;amp; Company, New York, NY; and Design Miami. Group exhibitions include the Whitney Museum of American Art, New York, NY; Dallas Museum of Art, Dallas, TX; and the Museum of Arts and Design, New York, NY.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eYear: 2026\u003cmeta charset=\"utf-8\"\u003e\u003c\/p\u003e\n\u003cp\u003eMaterial: \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-sheets-root=\"1\"\u003eCeramic, glaze\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eDimensions: W 20 x D 5 x H 23 in \u003c\/p\u003e","brand":"Jacqueline Sullivan Gallery","offers":[{"title":"Default Title","offer_id":50410160128246,"sku":"JSG-KS006","price":0.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0665\/9735\/5766\/files\/JSG-KS006_01.jpg?v=1777576482"},{"product_id":"ewer","title":"Ewer","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-sheets-root=\"1\"\u003eBorn 1998, New York, NY. Isabel Rower is an artist living and working in Brooklyn, New York. Rower studied at the Rhode Island School of Design, where she began making work that operates as both sculpture and furniture. She has shown with galleries such as Fairfax Dorn Projects, Alcova Milano, Europa Gallery, and Marta and has been featured in The New York Times, New York Magazine, and Dezeen. Working primarily with clay, Rower utilizes the forms of everyday and often prime objects to explore the transformative properties of material and the elements of nature, blurring the boundaries between practicality and adornment. Her work was recently acquired by SFMOMA, and her dishware works were featured in a recent presentation with her mother, Maria Robledo, at the Hammer Museum in Los Angeles.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eYear: \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e2026\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eMaterial: \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-sheets-root=\"1\"\u003eStoneware, mason stain, clear glaze\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eDimensions: W 12 x D 9 ¾ x H 11 in\u003c\/p\u003e","brand":"Jacqueline Sullivan Gallery","offers":[{"title":"Default Title","offer_id":50410202464502,"sku":"JSG-IR001","price":0.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0665\/9735\/5766\/files\/JSG-IR001_01.jpg?v=1777576523"},{"product_id":"amoeba","title":"Amoeba","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-sheets-root=\"1\"\u003eBorn 1998, New York, NY. Isabel Rower is an artist living and working in Brooklyn, New York. Rower studied at the Rhode Island School of Design, where she began making work that operates as both sculpture and furniture. She has shown with galleries such as Fairfax Dorn Projects, Alcova Milano, Europa Gallery, and Marta and has been featured in The New York Times, New York Magazine, and Dezeen. Working primarily with clay, Rower utilizes the forms of everyday and often prime objects to explore the transformative properties of material and the elements of nature, blurring the boundaries between practicality and adornment. Her work was recently acquired by SFMOMA, and her dishware works were featured in a recent presentation with her mother, Maria Robledo, at the Hammer Museum in Los Angeles.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eYear: \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e2026\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eMaterial: \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-sheets-root=\"1\"\u003eStoneware, mason stain, clear glaze\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eDimensions: W 9 ¼ x D 9 ¼ x H 9 ¾ in\u003cbr\u003e\u003c\/p\u003e","brand":"Jacqueline Sullivan Gallery","offers":[{"title":"Default Title","offer_id":50410239885558,"sku":"JSG-IR002","price":0.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0665\/9735\/5766\/files\/JSG-IR002_01.jpg?v=1777576552"},{"product_id":"black-tole-piente-coal-scuttle","title":"Black Tole Piente Coal Scuttle","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-sheets-root=\"1\"\u003eA coal scuttle is a household container designed to store and carry coal for heating, typically featuring a lidded form with a handle and a spout or scoop-friendly opening for easy transfer to a fireplace. It became common in the 18th and 19th centuries alongside the widespread use of coal-burning hearths, serving as both a practical domestic tool and, in finer examples, a decorative object in the home. While most examples are bucket-shaped or tapered to hold small amounts of coal, this example is quite oversized and unwieldy, meaning it is likely it was more for decoration than a functional object moved back and forth.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eYear: \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-sheets-root=\"1\"\u003e19th Century\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eMaterial: \u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cspan data-sheets-root=\"1\"\u003eTole, paint \u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eDimensions: W 22 ½ x D 14 x H 24 in\u003c\/p\u003e","brand":"Jacqueline Sullivan Gallery","offers":[{"title":"Default Title","offer_id":50556255895798,"sku":"JSG-HF298","price":0.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0665\/9735\/5766\/files\/JSG-HF298_01.jpg?v=1777576588"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0665\/9735\/5766\/collections\/JSG_F_F_EDITORIAL_4_WEB.jpg?v=1777654488","url":"https:\/\/jacquelinesullivangallery.com\/collections\/fancy-flourish\/attributed-to-wanda-kossecka.oembed","provider":"Jacqueline Sullivan Gallery","version":"1.0","type":"link"}